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“... of analytically enlightened sketch-scholars (Alan Tyson, Joseph Kerman, Douglas Johnson, Robert Winter, William Kinderman, Barry Cooper) is to such venal misprisions a corrective of which the beleaguered Beethoven may have hardly dared to ...”

“... for a few hundred feet? How do you explain the Romanian-German Hermann Oberth, and the American Robert Goddard, who pursued the mad ambition of space with rockets that lifted themselves only a few yards, before collapsing under their own contradictions? Even more remarkable are the interlinked stories of the two men who actually took humans into ...”

“... lastyear of the great forerunner’s life. Stieglitz’s face has a weary look not unlike that of Robert Flaherty, father of the documentary film, another great forerunner whose portrait Cartier-Bresson took in the same year. A similar weariness infuses the faces of Georges Rouault and Pierre Bonnard in their 1944 portraits; but the relationship between these ...”

“... and concerns of the near-nonsensical Cave of Spleen episode in The Rape of the Lock. The fact that Robert Southey wrote enthusiastically about Taylor in his Lives and Works of the Uneducated Poets (1831) doesn’t do much to establish the Water-Poet as an unacknowledged influence either; although he does briefly quote from Sir Gregory Nonsence, Southey is ...”

“... inconsistent with the migrants’ own desires’. Similarly, the folklorists Charles Todd and Robert Sonkin, sent west under the aegis of Alan Lomax and the Library of Congress to record what might be left of the migrants’ musical lore, paid no attention to what the Okies – by now into commercialised country and western music – wanted to hear, play ...”

“... way from the marriage plot, which underwires so much literature. ‘It’s the story of life,’ Robert Sean Leonard’s character once explained on the TV show House. ‘Boy meets girl. Boy gets stupid. Boy and girl live stupidly ever after.’ The Angry Young Men who were Delaney’s fellows and friends came out, sharp-nibbed, against that dispiriting ...”

“... library. Convalescence was transformed by a gift from his cousin, a copy of The Suicide Club by Robert Louis Stevenson.These glimpses were a romance of the road. Adolfo was feeding me titbits from twice translated interviews. But his portrait of Vaes, so decisively sketched, fired my selective misreading. The fiction of our weary march is that ...”

“... never left the drawing board. The Dyna-Soar was cancelled in 1963 by the then defence secretary, Robert McNamara. But the dream never died, lingering on in obscure budgetary allocations over ensuing decades, none of them yielding anything of practical use. Despite the bombast on both sides of what we have to call the New Cold War, current efforts will almost ...”

“... of an apparently seamless whole.If time isn’t continuous, it becomes barely recognisable. In Robert Coover’s great story ‘Going for a Beer’, barely a thousand words long, the continuousness is deceptive, belonging to language and not to the experience language claims to represent. ‘He finds himself sitting in the neighbourhood bar drinking a ...”

“... on much for a definition of humanity, since he has had so little time to meet any of the species. Robert Heinlein’s totally self-indulgent The cat who walks through walls (to be acquitted of malignant sexism only on the ground that it is also so innocently pubescent) has made its author two million dollars so far. The first volume of the new decalogy by ...”

“... have some answers) by writing. At first she reads books by men. Graham Greene, Edgar Allan Poe, Robert Louis Stevenson, ‘that man who wrote Heart of Darkness, whose name escapes me’.I hardly ever saw so much as a glimpse of myself in any of their books and I didn’t care to. I didn’t want to exist in books. I liked how the men talked to other men and ...”

“... touch such weathered stones of deep cultural time as Democritus and Lucretius, Thomas Browne and Robert Burton, conduces me, at least, to conviction: I can think of only a handful of films that have had the profound impact on me that Keiller’s London did when I first saw it in the cinema. With its acute intercuts of London’s raddled face – which even ...”

“... became a byword for audience appeal and recognition. In The Hog Hath Lost His Pearl (c.1613-14), Robert Taylor speculates, ‘And if [this play] prove so happy as to please,/We’ll say ’tis fortunate, like Pericles’; and 25 years later Pericles was still immediately recognisable in James Shirley’s sledgehammer puns in Arcadia (1640): ‘Tire me? I am ...”

“... says, in ‘a race to the bottom driven by ever-receding profitability’. The Nazi politician Robert Ley said that ‘there is no longer such a thing as a private individual.’ Half a century after Ley’s suicide at Nuremberg, Morgan, as editor of the News of the World, ensured that this was the case in Britain. Every parasite has its parasite. Every ...”

“... the season. The effect followed partly from the translation of the Iliad they’d chosen, Robert Fagles’s from 1990. Fagles goes for the choppy, hard stuff, preferring percussive consonants and end-stopped monosyllables. Some of the pastoral and domestic similes were cut, and a few of the interpolated myths were dropped. The effect was to man up an ...”