At the British Museum
Peter Campbell: London 1753, 25 September 2003
“... North are in monochrome pen and wash. The soft, sooty depths of the mezzotints after Reynolds by Edward Fisher and Edward Okey, the sharp unambiguous lines of Luke Sullivan’s etching after Hogarth’s The March to Finchley and the delicate precision of the Sandby drawings are not put in the shade as they might be were ... ”