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“... which in its turn provokes the repudiation and alienation found, characteristically, in D.H. Lawrence’s autobiographical sketch: ‘One can belong absolutely to no class.’ All classes are prisons. But it may give cachet to have belonged to one, to the working class especially, as it does to have been at a war, or in a real prison. It is commonplace ...”

“... the desirable ‘probability’ and ‘truth to nature’ that had become the new realism. D.H. Lawrence’s works went through different versions depending on the state of the law – but with Lawrence we can always imagine a paradisal first essential version of Lady Chatterley’s Lover, for instance. Jane Austen ...”

“... Sufism – is often read by literary critics as the symbolic history of our age, just as ‘D.H. Lawrence’s proposal that the Industrial Revolution began in the Eastwood of his boyhood and was finally exorcised in the woods of the Chatterley estate is a received fact of literary education.’ Like Lawrence, Lessing is an ...”

“... the law, doomed upholder of vanishing virtues; ‘hard, isolate, stoic and a killer’ in D.H. Lawrence’s description of the original of the breed, James Fenimore Cooper’s Leatherstocking. ‘In a lonely street, in lonely rooms, puzzled but never quite defeated’ was how Chandler himself imagined Marlowe’s future. The frontiersman and the private ...”

“... very largely to the habits and love affairs of homosexuals. Melville’s ‘Billy Budd’ and D.H. Lawrence’s ‘The Prussian Officer’ are oddly similar – oddly, because Lawrence didn’t know Melville’s story – in that they both depict an older man’s unarticulated, obscure but angry passion for a younger ...”

“... Romanticism, as the emblem of the impossible and irresistible search. ‘I started from D.H. Lawrence’s fatal flower of happiness at the end of The Fox, having always wondered how D.H.L. knew it was blue,’ Fitzgerald wrote in a letter to Frank Kermode, who had reviewed The Blue Flower in this paper (‘the more you ...”

“... or manufactured, as opposed to felt. Denis’s ‘artificiality’ points this way. Or D.H. Lawrence’s ‘consciousness’. Here, for example, is the odious Rupert Birkin in Women in Love, rounding on Hermione: ‘Spontaneous!’ he cried. ‘You and spontaneity! You, the most deliberate thing that ever walked or crawled! … Because you want to have ...”

“... and valuable and very funny and entertaining. It’s most like – weirdly enough – D.H. Lawrence’s Studies in Classic American Literature, another book that gets its energy from poking holes in just the right places to release all that built-up sexual tension. (Carter had a lifelong love-hate relationship with ...”

“... ultimate creatures’ he came across in the legends of the North. Clue: it wasn’t D.H. Lawrence.A writer, born around 1890, worked bits of ancient writings into his own massive masterwork, magnificently misprising them as he went. Clue: it wasn’t Pound.J.R.R. Tolkien (1892-1973) spent his working life as a philologist. He was Reader then ...”