At Tate Britain
Julian Bell: John Everett Millais, 15 November 2007
“... pictorial music, in which its factual content has no active part. As Jason Rosenfeld and Alison Smith, the curators of Millais, the Tate’s endlessly surprising new show, point out in the catalogue, the painting is an early harbinger of the Aestheticism that would swing into vogue during the 1860s.* Not long afterwards, Millais was painting harmonic ... ”