Search Results

“... rue des Archives in the Marais – in the shadow of the Centre Pompidou, which he designed with Richard Rogers in the early 1970s. At RPBW Genoa, on the coast just to the west of the city, meetings happen at a round table, with no notes taken: bad ideas are encouraged, because they’ll immediately be replaced by better ones as the collective musters its ...”

“... is similar to the one Ingres put M. Bertin the banker in) would be used again in the portrait of Richard Arkwright. Miss Cracroft from the same year is a tumble of satin and lace; a veil blows from her shoulder and flowers garland her bosom, but despite the mobile stuffs her face is as still, her back as rigid, as Anne Bateman’s. The catalogue suggests ...”

“... poems. His work exhibits little of the ostentatious virtuosity of better-known formalists such as Richard Wilbur and Anthony Hecht, with whom he is so often, and rather unfortunately, grouped. Rather, Justice’s poems delicately induce the hypnotic state that Bishop described as her artistic ideal in a letter to Anne Stevenson: ‘What one seems to want in ...”

“... Yet Piano burst into public view with the Centre Pompidou (1971-77), which, designed with Richard Rogers, is the most celebrated of the high-tech megastructures of the period, and today he is also associated with large urban schemes, including the redevelopment of the old harbour in Genoa (1985-92) and Potsdamer Platz in Berlin (1992-2000), as well as ...”

“... fiction. What she dreamed of escaping to is hard to say. One of the problems faced by Richard Mabey in his biography of Thompson, Dreams of the Good Life, is that Lark Rise to Candleford and its sequel, Heatherley, which wasn’t published until 1979, are almost the only sources we have. By the time she came to write them, the intervening years ...”

“... had done, tracing an imaginary path towards truth and insight. Instead, he travelled halfway up Hudson Bay on the Muskeg Express and recorded passengers talking about the North. The resulting programme was an extraordinary feat of tape-editing and soundtrack-laying, orchestrated as though it were a score, the voices weaving in and out of audibility in a ...”

“... opened: a members-only BDSM leather bar and sex club whose patrons included Michel Foucault, Rock Hudson and Freddie Mercury. Gunn was a regular: ‘At orgasm I notice something like seven pairs of hands at work on me.’ The dress code was macho and fetish, strictly enforced. ‘The Shaft is an amazing two-storey maze of ...”

“... down the windows and a 13-foot Frank Gehry crocodile on the wall. Sexy Fish is the creation of Richard Caring, most famous for the Ivy, the restaurant in Soho that flaunts its exclusivity by being as apparently modest and downbeat as possible. That works for the posh English, but modern Mayfair money has another set of tastes to be pandered to. Crossing ...”

“... with the open aim of reaching the sizeable audience that resurrected John Williams’s Stoner and Richard Yates’s Revolutionary Road. All three books share an interest in sad marriages and a certain amount of diffuse self-pity, but strenuous Flaubertian realism as practised on a mid-20th-century American campus, provided in spades by Williams and ...”

“... architects to collaborate was impressive, especially in the case of the ‘Dream Team’ of Richard Meier, Peter Eisenman, Charles Gwathmey and Steven Holl. On the other hand, to be in the running one had to be a designated über-architect, presumably with the technical expertise required of grands projets: stock in the Dream Team, Lord Foster and the ...”

“... he christened Wrennaissance. He was mortified to lose, especially since one of the judges was Richard Norman Shaw, the living architect he most admired. But if Lutyens had been known solely for the unexceptional commercial offices and banks he produced in the interwar period, as he struggled to keep offices in London and India and support his family, he ...”

“... of the Irish abbot Saint Brendan; the later expeditions of Martin Frobisher, John Davis, Henry Hudson (who became a bay), William Baffin (who became an island) and Vitus Bering (who became a strait). He describes Robert Peary claiming the North Pole for America, and how, to keep up the morale of his men, ...”

“... then ‘Audrey pointed to one of Elizabeth’s enormous jewels and asked: “Kenny Lane?” “No, Richard Burton,” replied Taylor, and both stars screamed with laughter.’ It blows my mind – I don’t know a more proper way to say it – to imagine Hepburn pointing to Taylor’s jewels, as if the two were simply women at a party, not symbolic figures ...”

“... private girls’ school that Susan Cheever attended in Dobbs Ferry, about an hour’s drive up the Hudson from New York City. Her father, John Cheever, drove her to the school. ‘Joey!’ Cummings shouted when he spotted Cheever, whom he’d first met in the 1930s (‘Joey’ was Cheever’s boyhood nickname). Cheever remembered that first ...”

“... a constellation of needs that are dealt with in straight society outside the arena of sex,’ Richard Goldstein argued in the Village Voice in 1983. ‘For gay men, sex, that most powerful implement of attachment and arousal, is also an agent of communion, replacing an often hostile family and even shaping politics. It represents an ecstatic break with ...”