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“... habit, pausing (presumably) to change his shirt, was to drive into town and take a succession of young women he referred to as ‘dancers’. Would not dwelling on the author’s writing habits be seen as mere gossip and triviality? The question was gravely discussed as the film was edited. Wheldon declared that it was relevant to the consideration of ...”

“... this is an arresting sentiment. There are ministers who also favour EMU: Michael Heseltine and Kenneth Clarke both admitted as much last November, and in that small part of his heart which can afford to rise above political calculation, Major is probably an EMU man as well, when the time is ripe, as they all say. The trouble is that in modern Tory dialogue ...”

“... in the insider-out world of fashion where women and homosexuals (and, since the late Fifties, the young) are in apparent charge, is oblique. It is sometimes suggested that fashion is either something inflicted by men on women or that it is engaged in by women for the benefit of men. Neither is usually true, nor do the proponents of such ideas fall into ...”

“... were the critics. When Madame Moitessier arrived at the National Gallery in 1936 (a coup for its young director, Kenneth Clark), one critic protested: ‘Surely the little finger of a normal right hand should be articulated to a knucklebone and not drop from the off-side of the metacarpus.’ But as that early study ...”

“... the Danes and Harold and the Conqueror has no place whatsoever for Hywell Dda, for Brian Boru, for Kenneth Mac Alpin or Macbeth.’ The culprits here were the Victorian historians, writing from and into their imperial time, as if all previous events had led up to the glorious present. Some famous names come under the Davies hammer, as he destroys not only the ...”

“... Between Us Girls in 1957, after he had ended a period of collaboration with his lover and mentor Kenneth Halliwell. A classics scholar and failed actor, Halliwell was devoted to the gay literary canon avant la lettre, and had tutored Orton in the homosexual literary tradition from the Greeks to Genet. ‘Together,’ Francesca Coppa writes in her excellent ...”

“... there stands English comedy,’ David Frost is reported to have declaimed, as Frankie Howerd and Kenneth Williams stood side by side on his doorstep. Williams was unimpressed. ‘I thought to myself, “Then many people would be lacking in perception,” but shouted drunken goodbyes and reeled down the street into a taxi.’ What these two Titans of comedy ...”

“... Kenneth Koch ends his fine and amusing collection, One Train, with a sequence called ‘On Aesthetics’, which, amongst many other things, takes in the aesthetics of Paul Valéry, of jazz, of moss, of air and of being the youngest of four sisters. In tone, the sequence is something like a cross between Auden’s ‘Academic Graffiti’ and the Private Eye scribbling of E ...”

“... premieres by Wayne McGregor, Christopher Wheeldon and Kyle Abraham, alongside classic ballets by Kenneth MacMillan and Frederick Ashton. In May and June, ahead of the full reopening, the company streamed an online programme featuring choreographers closely associated with the Royal Ballet. One name was conspicuous by its absence: Liam Scarlett, the former ...”

“... and connubium. In Western societies they have operated within the cultural framework of class. Kenneth Ballhatchet takes the equally familiar notion that in colonial societies alien minority rule translated class distinctions into those of race. In India he sees the social aloofness of the ruling white minority as being reinforced during the 19th century ...”

“... World appeared in 1988, and several new treatments of the topic have appeared since then. First, Kenneth Dover published in The Greeks and their Legacy, the second volume of his collected papers, an article in which he put the case against the theory, lately revived, that the favourable Greek attitude to homosexuality derived from a phase of history in which ...”

“... non-resignations can in many ways be as disgraceful as resignations. The leading figure here is Kenneth Baker, who perfected a theory about why he should slay as Home Secretary despite the succession of calamities that surrounded him, until he was eventually jettisoned by the Prime Minister after the 1992 election. Holding steadfastly to the view that ...”

“... The reaction started with the publication of Death in the Afternoon in 1932, the hero of which, as Kenneth Lynn cogently expresses it, is not ‘a haunted Nick Adams, or a crippled Jake Barnes, or a hollowed-out Frederic Henry, but an overbearing know-it-all named Ernest Hemingway’. Max Eastman said Hemingway had false hair on his chest. Gertrude Stein, in ...”

“... evidently I enjoyed rather more than did your contributor, Janet Watts (LRB, 8 December 1988), Kenneth Clark published a contribution to art history called The Nude. A disgruntled friend of mine opined that if the author had any integrity, he’d have started off his opus: ‘Wankers, ahoy!’ (Oh, the jaunty irreverence of those days of intellectual ...”

“... your own morals intact, has served other breathless and heavy-breathing narrators very well since. Kenneth Anger has been this kind of wallflower at the orgy for years. The dragon king of gorgeous Hollywood has him in thrall. His snappy chapter-headings (‘Closely Observed Blondes’, ‘Babylon Boozers’, ‘Hollywood Drugstore’) give a promise that is ...”