Search Results

“... Samuel Richardson’s account of a servant girl’s defence of her virtue against the advances of her lascivious master (‘Mr B’), given in her own letters, made what we now call ‘the Novel’ (though Richardson never attached this label to his book) respectable. Pamela caused an unprecedented stir, exciting something like a national argument about the purposes and value of fiction ...”

“... a part of life too much taken for granted for the new novel to interest itself in realistically. Richardson uses as a convention the letter-writing of Clarissa and Anna Howe, but their intimacy is itself a fact to be taken for granted. The problem is that once men have invented women in fiction, it is difficult for women not to produce a counter-invention in ...”

“... by which every drop of blood and every smidgen of originality was extracted from a script. Now John H. Richardson, a writer for Premiere magazine, has updated the Kael concept. When Richardson writes that ‘the only big-canvas film-maker of stature we have today is Oliver Stone,’ he ...”

“... clarity of seeing, an acknowledgment that this is what painting is. Just as the young John Richardson, visiting Braque’s studio for the first time, felt that he had arrived ‘at the very heart of painting’. But these apparently quiet artists often turn out to have been more far-sighted and more radical than we assume. Corot, for ...”

“... To read the letters of Dorothy Richardson is to become exhausted, vicariously, by the ‘non-stop housewifery’ which consumed her days. From 1918 until 1939, Richardson and her husband moved three times a year. Every autumn, they settled in a primitive rented cottage in Cornwall, where Richardson was responsible for shopping, cooking and cleaning, as well as for her own and her husband’s sizeable correspondence ...”

“... think. He even tried to persuade his pet astrologer to discover favourable auguries for the match. John Fowles, typically, fantasised about seducing her and imprisoning her underground, not necessarily in that order. Pablo Picasso claimed that only the princess would be a suitable bride to be the châtelaine of his vast new villa, La Californie. At ...”

“... Judith Richardson begins Possessions by quoting a 1933 guidebook to the Hudson Valley: ‘How comes the Hudson to this unique heritage of myth, ghosts, goblins and other lore?’ By the end of her exhaustive chronicle of local history and legend the answer is self-evident: ‘Why is the Hudson Valley haunted? Perhaps a better question after all is: how on earth could it not be?’ Until I read this book, the Hudson Valley seemed remote from anguished, obviously possessed sites like ravaged towns in Mississippi and throughout the Deep South, the battlefield at Gettysburg, Hollywood or even the foggy menace of Seattle ...”

“... as The Case of Sodomy, in the Tryal of Mervin Lord Audley, Earl of Castlehaven and The Case of John Atherton, Bishop of Waterford in Ireland; who was Convicted of the Sin of Uncleanness with a Cow, and other Creatures (both 1710); Fielding also misses the transparent pose of righteous indignation that Curll typically adopted to veil, and at the same time ...”

“... aristo to his friends in the pop music world, but his nobbier chums looked down on him a bit. John Richardson says: One of the odd things about Robert was that he always dressed up. The rest of us were in blue jeans and leather jackets and up to no good in the Village, but Robert always had an impeccable blazer, very Old Etonian, consciously so. I ...”

“... are the early years of the English Stage Company, started in 1955 by George Devine and Tony Richardson, although the theatre enjoyed at least as luminous a period from 1904 to 1907 when Harley Granville-Barker was its artistic director. The Royal Court is the perfect size for a playhouse; it seats about four hundred people (two hundred fewer than in ...”

“... Beer’s Arguing with the past, a collection of essays published in recent years (with one, on Richardson and Milton, dating from as long ago as 1968), is richly written, contains many sharp critical insights, and shows the author to have a good ear for nuances of language in the literary works she chooses to discuss. At the same time, she reveals some ...”

“... Item: in 1684, there appeared John Oldham’s posthumous Remains in Verse and Prose, with a prefatory elegy by John Dryden, ‘Farewell, too little and too lately known’. Dryden’s poem has been much admired and praised – but not by Claude Rawson, who calls it variously ‘pompous’, ‘self-serving’, ‘overrated’, ‘unctuously self-exalting’, ‘self-promoting’, ‘pontifical’ and ‘patronising’ Item: in a chapter on Richardson (wittily called ‘Richardson, alas’ after ‘Hugo, hélas’), Rawson quotes a curious letter in which the novelist asks a friend to come to Tunbridge Wells, where she will be able to see a figure more ‘grotesque’ even than Beau Nash or Colley Cibber, ‘a sly sinner, creeping along the very edges of the walks, getting behind benches ...”

“... reading. Archer and Jockers are interested in the pumpkin plants – writers like Stephen King, John Grisham and Danielle Steel, perennial presences on the New York Times bestseller list – and what makes them sell so well. By looking only at textual features their machine has isolated the essence of the bestseller, Archer and Jockers believe, and can now ...”

“... give the Novel its generic power was psychological exactitude, especially in the hands of Samuel Richardson. Before Pamela and Clarissa, the term roman referred, he wrote, to ‘a tissue of fantastic and frivolous events which presented a threat to the taste and morals of its readers. I should like another name to be found for the works of ...”

“... stands in the autumn of 1743, making The New Dunciad old hat after barely eighteen months, Samuel Richardson grumbled in a letter to his friend and sometime client of his printing house, the poet and cultural factotum Aaron Hill, that ‘I have bought Mr Pope over so often, and his Dunciad so lately before his last new-vampt one, that I am tir’d of the ...”