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“... on students’ heads in deportment lessons) but she was an avid reader of Mrs Gaskell (Cranford), Flora MacDonald (Lark Rise to Candleford) and Stella Gibbons (Cold Comfort Farm). At 17, she took a correspondence course from the Regent School of Successful Writing (‘101 Infallible Plot Situations’), and began to send out stories to women’s ...”

“... the horizon, with the tallest temples, and the most unassimilated Indians and jungliest fauna and flora – the place where Mayan was not a tourist attraction but a curse. Somehow I managed never to get there, scared of getting eaten, raped, lost, mugged, imprisoned as a British or Gringo or Soviet agent; or, much more probably, falling down the steep temple ...”

“... home, but in later books like Sunlight on Sweet Water (1994) and Leaves in the Wind (1998) Gilroy drew on her knowledge of local flora and fauna, as well as the proverbs, rainforest ghosts and wisewoman lore of her family.In London, after endless humiliating days waiting in labour exchanges, Gilroy took temporary jobs, as a ...”

“... confessional allegiance: Thomas Ken’s ‘White Paternoster’, a prayer to be said before bed, drew on a Catholic model but pruned it of saints, even though the bedchamber remained a place where Catholics and dissenters could follow their own practices in seclusion. Bedtime prayer was a necessary precaution in case of sudden death during the night, and ...”

“... is frequently misleading. Palladius, the fifth-century Roman writer on agriculture, on whom Evelyn drew extensively, is identified throughout as Andrea Palladio, the 16th-century architect. John Rea, whose Flora (1665) Evelyn also pillaged, is not distinguished from John Ray, the great botanist. Robert Boyle appears as ‘Mr ...”

“... Hilma.’ It was good advice: filling a pen with ink would have slowed her pace. She sometimes drew using a planchette, a wooden tablet and pencil contraption (De Fem had a luxury version made of brass and mounted on wheels). The British spiritualist artist Georgiana Houghton produced hundreds of abstract, watercolour drawings in the 1860s under the ...”

“... Hutton and Lyell, both Scots, writing respectively in the late 18th and the early 19th centuries, drew liberally upon the bank of time. When faced with interpreting the evidence of fossils and land-forms, their strategy was to be parsimonious with force (no catastrophes) but prodigal of time. They saw that adherence to the traditional short time-scale ...”

“... cotton wool and newspapers. The windowpanes acquired thick crusts of opaque crystal, the strange flora of winter. The poor were fed by our Count. Those who couldn’t beg, starved and died. People were forever running through the streets with corpses: the black-clad coachmen whipped their black steeds to a gallop, and the mourners ran after the departed, it ...”

“... and Meleager gets to play matador. After the kill he gives the carcass to Atalanta, because she drew first blood, and because he’s fallen for her. His uncles object to this, claiming the prize for themselves, so Meleager, with the short temper that tends to go with being a hero, kills the pair of them. When Meleager was born, the Fates put a log on the ...”

“... he began selling short stories. The bulk of them were set in the Yukon or in the South Pacific and drew on the life he’d left behind. The Call of the Wild, published in 1903, made him a celebrity at 27, and subsequent additions to his CV – candidate for mayor of Oakland, no-good husband, doomed sea captain and arthritic debauchee – were a matter of ...”

“... the famously patriotic ‘Leningrad’ symphony turned out to have a secret anti-Soviet programme: Flora Litvinova, who had met Shostakovich when they were both evacuated to Kuibyshev during the war, said he had told her ‘straight out that the Seventh Symphony, and for that matter the Fifth as well, were not just about Fascism but about our system, or any ...”

“... recently that we’ve paid attention to the common ash at all. In Ancient Woodland, Oliver Rackham drew up a table, under the heading ‘The Notice Which People Take of Trees’, and mapped ‘the percentage frequency with which tree species are mentioned’ in two Anglo-Saxon charters, a comprehensive list of British place names, the works of Shakespeare and ...”

“... sovereign state’ to confer it. The record of the 1920s and 1930s, which John Hope Simpson drew up in 1938, seemed to prove the point. The intake of fifteen thousand Russians – most of whom relocated to France or the Balkans – and eight or ten thousand refugees from Germany was paltry by comparison with the country’s showing in the 19th ...”

“... James would read his stories to gatherings of male friends, and the golden undergraduate McBryde drew pictures for the stories. ‘Monty disappeared into his bedroom,’ recalled another friend. ‘We sat and waited in the candlelight ... Monty emerged from the bedroom, manuscript in hand, at last, and blew out all the candles but one, by which he seated ...”