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“... estates and control, and in the British preference for one-family houses rather than multi-storey living. And, although Muthesius rightly warns that architectural history has concentrated too much on London, he devotes much of his book to the great metropolis, arguing that fashion in housing, like taste in clothes, diffused downwards and outwards from ...”

“... someone else back and that’s what neither of them was good at.28 March. Another death, this time David Storey whom I liked and found sympathetic, though I might run into him only occasionally and most often in M&S. It was always cheering, even if these days he was often shuffling as much from the medicines he was taking as from old age. But he would ...”

“... Western Europe reaches one of its fine points here, like Cape Wrath in Sutherland, Lleyn and St David’s Head in Wales, and Cornuaille in Brittany. In such places we come across peaks and juts of rock which look and feel like those in West Penwith: ‘look’ because they draw our eyes and feet like magnets, ‘feel’ because the whitish crystals of ...”

“... Life: A User’s Manual is an exception, though it has clearly taxed the ingenuity of David Bellos. A chapter of humorous visiting-cards, for example, produces only one instantly cross-cultural item (‘Madeleine Proust: “Souvenirs” ’ – not one of Perec’s subtlest efforts). Luckily there are occasions when a bon mot in French can be ...”

“... David Halle’s researches earned him a licence amateur voyeurs would kill for. He got to nose about, more or less at will, in other people’s rooms. His study of the landscapes, portraits, snapshots, saints, masks and so forth which a representative group of Americans, in and near New York, have on their walls and shelves, of how they display them and what they say about them, required that he get to know more than a hundred and sixty different houses ...”

“... which explains the blank painted space between the two attached towers that frame the upper storey. (The design for Crane’s panel is illustrated in The Buildings of England, London 5: East.) You would hardly guess anything was missing; the building is a showpiece, Whitechapel High Street’s strongest and most interesting frontage. The ...”

“... band of six men – Peter Cook, Warren Chalk, Ron Herron, Dennis Crompton, Michael Webb and David Greene – whose day jobs were with big commercial practices and local authorities. They formed in the early 1960s and over the next decade or so produced thousands of designs for ‘cities of the future’ that were highly original, sometimes on the ...”

“... subscribing to le dernier cri from Europe’. Rothko dominates an essay in the Hopper catalogue by David Anfam, the author of the Rothko catalogue raisonné, who notes that ‘so much has been written about Edward Hopper that perhaps one of the few remaining royal roads by which to approach him is via another massively interpreted artist.’ Anfam makes the ...”

“... Actors don’t lodge in the culture as once they did,’ David Thomson writes in the entry on Heath Ledger in the latest edition of his Biographical Dictionary of Film. ‘They are a type of celebrity now.’ He contrasts Ledger, who died three years ago at the age of 28, with James Dean, who died 55 years ago at the age of 24 and became the standard against which all young, handsome, would-be acting geniuses in Hollywood are measured ...”

“... sacrificed the Lusitania to draw the United States into the war. Both Diana Preston and David Ramsay deal briskly and effectively with this. Churchill and Jackie Fisher, the First Sea Lord, were preoccupied with the escalating political crisis over Gallipoli. The absence of British naval escorts for the Lusitania in the war zone reflected the ...”

“... on the oral testimonies of 16 former residents of Rothschild Buildings, who lived in these seven-storey, barrack-like dwellings from the late 1880s to the 1910s. The buildings, he explains, were ‘the ugly offspring of a reluctant paternalism’, the outcome, on the supply side, of redevelopment which took place in the area, made possible by R.A. Cross’s ...”

“... to artist’s studio tell a story about London, too. When, in 1986, Hodgkin applied to add a storey to his house, one of the reasons he was granted planning permission was that so few people live in Bloomsbury; Camden Council didn’t want to risk him leaving. The studio also demonstrates his sense of what it meant to be an artist. Hodgkin ...”

“... evenly up the slopes of the surrounding hills. On the valley floor sits a group of five single-storey concrete sheds with corrugated iron roofs, each opening onto a broad grassy enclosure. Dotted among the trees in the enclosures is an array of apparatus: platforms, posts, tripods, hammocks, swings. The enclosure in front of me also has a pool, and a ...”

“... I came in the latter category. I went round to see him after Home and he said how much he liked David Storey. ‘He’s the ideal author … never says a word!’ In Chariots of Fire he shared a scene with Lindsay Anderson, both of them playing Cambridge dons. Lindsay was uncharacteristically nervous but having directed John G. in Home felt able to ask ...”

“... eel-like name), who was ‘large, foreign, frightening and ravenous’, according to the historian David Hanlon. Nahn Samwohl was the evil version of the smaller, friendlier-looking freshwater eels worshipped by Pohnpeians. He lived on one of the islands of Nan Madol in a well, connected to other islands by underwater tunnels. Twice a year, in a ceremony ...”