“... symbols are too ‘handy’.) America has a prestigious tradition of such cultural semiologists. William Carlos Williams’s sifting of the American grain (‘to discover the NEW WORLD ... what it has done to us, its quality, its weight, its prophets, its – horrible temper’), H.L. Mencken’s jocular scrutiny of the American language, Edmund Wilson’s ...”

“... In the opening pages of Thomas Mann’s novel, Confessions of Felix Krull, Confidence Man, the hero debates a question which has always worried him: which is better for the careerist, to see the world small or to see it big? The small view has its attractions. Great statesmen and empire-builders must see the world this way, Krull thinks: like a chessboard, with human pieces that can be manoeuvred coldly and boldly as the player rises above the mass of mankind ...”

“... thing, and to Lawrence, such sickness represents the fatal flaw of the modern novel. He described Mann as ‘the last sick sufferer from the complaint of Flaubert. The latter stood away from life as from a leprosy. And Thomas Mann, like Flaubert, feels vaguely that he has in him something finer than ever physical life ...”

“... immediacy. Michals’s collage portrait of the Sterling Black and Whiters – Ansel Adams, Sally Mann, Robert Frank, Salgado and so on – shows us which reputations were overshadowed by the new high-art photography. At the Tate there are photographs from both camps. One odd effect of the high art/common craft division is that while magazines and newspapers ...”

“... Piranesi she discusses Cavafy, whose Greek poems she has translated into French, and Thomas Mann, whose manner of dealing with antiquity (as in Joseph and his Brethren) she perhaps assimilates to her own way of dealing with Hadrian’s world. Galey suggests as much. ‘Are you sure that there’s no “autosuggestion” in your conception?’ he ...”

“... Venice (Consul Smith, who promoted the careers of Canaletto and other artists), Florence (Horace Mann, whose letters to Horace Walpole are famous) and Naples (Sir William Hamilton). There were political refugees, notably Charles Edward Stuart, the Young Pretender, and his brother, the Cardinal Duke of York (who was born in ...”

“... Bellow replied that his study had been English literature. He was asked to give his opinion of William Wordsworth as a poet. He responded that he had always thought of William Wordsworth as one of the Romantics. ‘There is no place for you,’ said Chambers on hearing this, ‘in this organisation.’ The future Nobel ...”

“... the intolerable wrestle with words, but, as it were, a further wrestle with the wrestle. Thomas Mann, like Hill, an artist wary of the claims and capacities of art, lamented that his Doctor Faustus was ‘joylessly earnest, not artistically happy’, and Hill’s two new books certainly tread the gravel of the joyless. Yet in the past, Hill has made great ...”

“... a great deal of time and energy generating anecdotes about himself,’ his colleague Murray Gell-Mann announced at Feynman’s memorial service, firmly flouting the nil nisi bonum convention. Feynman was also, among other things, a jerk. At his father’s funeral, he refused to recite the Kaddish, making his mother break down and cry. He seduced and ...”

“... a way of life’. Her artless title is taken from a letter Helen Lowe-Porter wrote to Thomas Mann after she became his English translator. She was, she said later, an ‘unknown instrument … which … must … serve him to change the garment of his art into a better one which might clothe her for the marketplace until times changed’. ‘Like a ...”

“... He has views, he shouts, cajoles, threatens and sneers. He worships Kleist and Stendhal, loathes William Styron and Sainte-Beuve, is conspicuously silent about Flaubert and seems to have a love-hate relationship with Nabokov. He delights in summoning up his rhetoric of loathing for the Nazis and the Mafia and in distilling hard, frequently paradoxical ...”

“... So do the names of people for whom Erasmus scholars feel especial warmth – Grocyn, say, or William Warham, the Archbishop of Canterbury, who put up with a great deal, for Erasmus could be difficult even with patrons. The second son of a concubinary priest, and himself a monk living irregularly, Erasmus had clearly arrived. He mattered. He was conscious ...”

“... come out on top. If you picture him now, you might be visualising Charlton Heston in Anthony Mann’s epic of 1961, filmed in Franco’s Spain. For the climactic final scene, Mann restaged the most memorable story of the Castilian warlord, who conquered the Muslim city-state of Valencia and ruled over it for five years ...”

“... ancestors back to the Saxons in the Domesday Book while his father claimed a distant kinship to William the Conqueror.’ Ancestry soon got confused with dentistry as Chester would meet Lansing on the quiet at his father’s surgery (‘Wider please’), and on one occasion their antics kept Edward waiting over an hour outside the locked door. When Auden ...”

“... in a ten-year-old American translation, printed in Great Britain but not otherwise Anglicised. William Hannaher’s translation is particularly effective in its rendering of the author’s virtuoso gifts of metaphor and simile. Kis’s style highlights not only Eduard’s grand visionary projects but the most mundane experiences and objects, from the ...”