At Tate Britain
Peter Campbell: Howard Hodgkin, 6 July 2006
“... from it, one in which strong green and black is patterned with splodges of cherry red, in which broad single brush strokes of pigeon-breast pink and pigeon-wing grey are broken by a speckled slab of starling-wing black and a small, pigeon-collar comma of white. There is no way of knowing how common that kind of literalism is in his pictures. Nor need there ... ”