“... and destinies. It would have been relatively easy to write a story around the big names – Thomas Mann, Freud, Adorno, Schoenberg and their kind – but this is not Palmier’s strategy. He doesn’t find a meaningful pattern in the data he records. Personal idiosyncrasy and historical accident have more to do with the dispositions and destinies of his ...”

“... eggs, others preferred to call them poached. Either way, any attempt to describe the appearance of Peter Lorre must deal with those eyes. What teeth are to Julia Roberts and lips to Angelina Jolie, his bulging eyes were to Peter Lorre, his unavoidable calling card and a feature quite out of proportion with the norm. He ...”

“... and critics. C.H. Sisson called her ‘in her sobriety … the most naked of poets’, and Rachel Mann’s introduction to this new selection adds that she writes in a ‘tantalising confessional mode’, but no one has ever been certain what life the poems were exposing. She had a happy childhood, by all accounts, but the onset of blindness and increasing ...”

“... Miller reflects on the difficulty posed nowadays by the introduction of devils and hell. Thomas Mann, modern enough, has his Faustian character succumb to syphilis and madness, and evokes hell in terms, chillingly authentic, of the concentration camps. In their appearance as Romantic heroes, rebels against religious law, social convention or political ...”

“... on as usual. Names central to Renaissance scholarship appear on page after page – Thomas More, Peter Giles, Martin Dorpius, Pirckheimer, Amerbach, Tunstall, Lascaris, Zazius. So do the names of people for whom Erasmus scholars feel especial warmth – Grocyn, say, or William Warham, the Archbishop of Canterbury, who put up with a great deal, for Erasmus ...”

“... works of Perry Anderson, Ernest Gellner, Anthony Giddens, Geoffrey Hawthorn, Steven Lukes, Michael Mann and Runciman himself, not to mention many others, take up the challenge of the classical sociologists, often on the terrain of world history. Runciman’s own response to the question of what sociology must do is similar in scope to those of the others but ...”

“... I Judge that Spain is a pious mother to foreigners and a very cruel stepmother to her own native sons,’ complained the 17th-century painter Jusepe de Ribera, a Valencian who spent most of his career working in Naples. This variation on the theme of the prophet without honour in his own country will doubtless strike a chord for many writers and artists today, from Australia to Brazil ...”

“... is a long list of manifest frauds and charlatans, headed by Dostoevsky and Freud. Eliot is a fake, Mann no better. In one letter, out of compassion for Wilson, he explains in some detail why Malraux is a rotten writer; but Lawrence he simply jeers away, and when Wilson put him on to Faulkner he wrote back incredulously: ‘Are you pulling my ...”

“... problems. Parsifal’s sexual-pathological element, which so impressed and disturbed Thomas Mann (an authority on such matters), is one of the Parsifal problems; the issue of whether or not the work is ‘Christian’ is another. Nietzsche isolated these two problems together with a third, which is more peculiarly German: like Hanslick, Nietzsche ...”

“... rates and restrictions on currency movements was to deal with a crook called Kourillo, ‘a Peter Lorre character’ who was ‘barely five feet tall’ and had a handshake ‘like an empty glove’. (When Kourillo later betrayed him, Fry took out a murder contract and forced him out of Marseille.) A strange and colourful group assembled in ...”

“... refer to these claims. Among the novels about which she has most to say is Death in Venice. Thomas Mann was 35 when he met the original of the boy Tadzio, whose beauty prevents Aschenbach from achieving ‘Platonic sublimation’. Consequently, Mann, with his aesthetic imperative, cannot offer ‘a primarily moral account of ...”

“... however, could never withstand much critical scrutiny. It certainly doesn’t receive much in Peter Conrad’s encyclopedic new study of artistic creation. For one thing, God’s act of creation is from nothing, which can scarcely be said of Mansfield Park or Dead Babies. Like cooking or carpentry, art requires raw materials. Conrad misses the point that ...”

“... as the primary source of his power as a painter. It is possible to agree with the critic Sargy Mann that ‘it was his desire to draw and paint her, more than anything else, that brought about the development of his style, from its brilliant decorative beginnings to the formal strength and realism of its maturity’, without trying to find validation for ...”

“... With the deaths of Thomas Mann in 1955 and of Bertolt Brecht and Gottfried Benn in 1956, a major era in the history of German literature comes to an end. These three are not only the greatest writers of their age, they are also its witnesses. Each of them worked in a different genre: Thomas Mann in the convoluted, partly essayistic prose of his novels, Bert Brecht in the drama and narrative poetry of social dialectics, Benn in the lyrical poetry of radical Modernism ...”

“... beyond the title, one recalls that Captain Hook himself, in the prose version, lures the flying Peter Pan into using his foot instead of his dagger to deliver the coup de grâce and tumbles into the crocodile’s jaws with the gratified riposte: ‘Bad form!’ Even better, in the stage version he goes to his death with the words ‘Floreat Etona!’ on his ...”