“... different time zones. Kubrick knows this as well as Billy Wilder did in Sunset Boulevard or Alain Resnais did in Last Year at Marienbad. In Killer’s Kiss, Kubrick has his heroine narrate her whole miserable life story over an image which simply shows a solitary ballet dancer in performance – she is the heroine’s envied and unhappy sister ...”

“... of his own films in relation to the work of selected classic directors: Lang, Dreyer, Minnelli, Resnais, Rossellini, Eisenstein. Certainly all of these directors recur in Histoire(s), as do many of Godard’s own long-serving ideas. But the form is different: an intense and intricate video essay that looks forward (or across) to Chris Marker’s Immemory ...”