“... was hardly more than a timber shell with an iron roof – there was no lining or ceiling, and conditions were primitive. He was a fat boy, and still quakes inwardly when he finds himself in a school-yard, remembering taunts of long ago. (One of his cleverest poems, ‘Quintets for Robert Morley’, is a tribute to ...”

“... Greece, having been subjected, subjected her wild conqueror and introduced culture into boorish Rome.’ The poet Horace, himself a Roman, can take a stylish pleasure in describing the Roman conquest of Greece, even though – or rather because – it piquantly entails the intellectual and artistic near-humiliation of the conqueror ...”

“... we did not have a deeply ingrained sense of order already there to be affronted. Tragedy in life, and as art, exposes by violation our mostly unconscious assumptions about how the world should be; and how often we take for granted that it is as it should be – a world in which, say, no one ever takes revenge, or ...”

“... Why do we enjoy tragedy? It may be thought that our best hope of answering this question lies in the psychology of Freud, who disclosed the dark side of the psyche. Behind this darkening of the mind, however, there lies another darkening, of our picture of the ancient sources of European literature. Antiquity, formerly given over to the Ego, becomes the province of the Id ...”

“... to be depressed by an encounter with large quantities of deformed prose. The great ones began it, and aspiring theorists usually carry their heads grotesquely to one side in emulation of these models. What begins as servile mimicry soon becomes a pathological condition. It is a relief that two of the present five books may be pronounced orthopaedically ...”

“... only to give reputable publishers a reminder that they must not be insolent in what they try and put over on a public already stupefied by literary overproduction.’ The present case is not quite of the kind Waugh had in mind. After all, his own production ended nearly twenty years ago, and included some quite ...”

“... With the virtual disappearance of the Jewish working class in the Diaspora, and the decline of the Labour movement in Israel, Jewish socialism is beginning to look historically limited, rather than an intrinsic part of a cultural heritage. The idea that the Jews are somehow natural radicals by virtue of their internationalism, messianism and inherited ethic of social justice does not stand up to scrutiny ...”

“... salient spout, far-streaming to the sky; His be yon Juno of majestic size, With cow-like udders, and with ox-like eyes. As Kathryn King observes in the first full-length biography of Haywood for almost a hundred years, these lines are straight out of ‘the well-stocked cabinet of misogynistic satiric conventions’, and ...”

“... Jean-Luc Godard shot Le Mépris, was built by the formerly Fascist, soon-to-be Communist writer and journalist Curzio Malaparte in the late 1930s. It stands, or rather crouches, like a predator ready to pounce, on a promontory on the eastern side of Capri, overlooking the Gulf of Salerno. A bright red, long, low oblong, tapering at one end into a stairway ...”

“... As the 19th century turned into the 20th, the English press was diverse and vigorous. Apart from the Times, whose threepenny price marked it as the newspaper of record for the ruling class, London had a clutch of what were conveniently known as penny papers. On one side were the Tory Morning Post, Daily Telegraph and Standard, on the other, the Liberal Daily News and Daily Chronicle, surviving or even thriving on circulations well under 50,000 ...”

“... House, built for Captain Arthur Phillip when he arrived with the first fleet of convicts and settlers in 1788, was demolished in 1846 to make way for the grander Neoclassical architecture that befitted a burgeoning colony. Today the site is the forecourt of the new Museum of Sydney, with the ghostly floor-plan of the original residence picked out in ...”

“... Both in art and in our general ideas about the passage of human life there is assumed to be a general abiding timeliness. We assume that the essential health of a human life has a great deal to do with its correspondence to its time – the fitting together of the two – and is therefore defined by its appropriateness or timeliness ...”

“... Carey’s normal mode, much more intently introductory than anything else he has written in a long and distinguished career. A Little History of Poetry canters from Gilgamesh and Homer to Mary Oliver and Les Murray in three hundred pages with a breezy sense of mission, assuming in the ...”

“... One of these books is very long and the other is very short. Each in its own way is a wonderful piece of work. They stand at opposite ends of the century that runs from the 1740s to the 1840s, but they may be thought to bear each other out, in ways which affect an understanding of the family life of that time, and of its incorporation in the literature of Romanticism – that part of it, in particular, which is premised on conceptions of the divided or multiple self and can be referred to as the literature of romantic duality ...”

“... imagination across more than a millennium, the most significant divide was between antiquity and what followed, such that for some centuries ‘modern history’ was held to have begun with the fall of Rome. Applying a different filter, the category of the ‘Middle Ages’ indicated the post-Renaissance sense of an epoch between the ancient world ...”