“... and it has to be faced. To invent something more elevated and comfortable, the kind of thing that Robert Nozick offered in his Philosophical Explanations (a book that Williams described as an attempt at the ‘Great American Novel of philosophy’), will not do. Some of the analytical arguments in the book were brilliant, but at the end Nozick departed from ...”

“... generation. ‘I saw more fighting,’ he wrote, than Siegfried Sassoon, or Edmund Blunden, or Robert Graves, far more than Liddell Hart, four or five times as much as Wilfred Owen, and I didn’t go home with a nervous breakdown. [But] I fear the damage is done, and the myth of the 1930s has prevailed … When I meet some clever young scholar from ...”

“... also a good deal of repetition. We are reminded four times of Blake’s maxim, almost as often of Robert Burton’s admittedly splendid description of tears as ‘excrementitious humours of the third concoction’. But Dixon’s instinct for connections and comparisons is unfailingly sharp and illuminating. He ranges effortlessly from Margery Kempe ...”

“... not the hider, who is doing the counting. ‘Doesn’t it annoy you a little,’ Bishop asked Robert Lowell, ‘when people hand you back, like an obligation, flat statements of what you “meant”?’ Colm Tóibín avoids this temptation. On Elizabeth Bishop is an engaging introduction to her life and work, and also an essay on the importance of her ...”

“... Second World War, Leo Steinberg wrote with equal insight on 20th-century innovators like Picasso, Robert Rauschenberg and Jasper Johns, and Old Masters like Michelangelo, Caravaggio and Velázquez. Yet this traffic is busier than ever before, according to Nagel, with art historians such as Hans Belting, Horst Bredekamp and Georges Didi-Huberman at work on ...”

“... and Hertfordshire as well as Glamis, the Scottish estate granted to an ancestor, Sir John Lyon, by Robert II in 1372. While not especially wealthy by the standards of the aristocracy of her day, they can have had no anxieties about their place in society, any more than Elizabeth, tucked snugly in towards the bottom of a large and affectionate family, seems to ...”

“... verse. The treatise applies to Persian literature the sublime aesthetics of the Oxford Orientalist Robert Lowth, for whom the terse passion of ancient Hebrew poetry (Job and Psalms especially) had expressive powers unmatched by the regulated, decorous traditions of classical verse. Generous illustrations from the 14th-century poet Hāfiz decorated the work ...”

“... effort, a novel about a historian of the Nazis who is also a Nazi sympathiser – in 1995, Robert Kelly, in a somewhat grudging review in the New York Times, spoke honestly about the prompt reviewer’s quandary: ‘It is not much comfort to lay aside this infuriating and offensive masterpiece and call it a satire, as if a genre could heal the wounds ...”

“... a nod to the 1971 movie The Omega Man, starring Charlton Heston, one of the many adaptations of Robert Matheson’s 1954 novel I Am Legend, also a major influence on Night of the Living Dead). An enormous wall has been built across Manhattan, along Canal Street, and the area south of it, Zone One, is being cleared of undead to make it safe again for human ...”

“... as a Landser, a common soldier without any ideological motives. The otherwise unidentified diarist Robert R. recorded with evident unease the atrocities in which he had to participate in the war against the Soviet Union, including the shooting of prisoners and the torching of villages, but convinced himself that it was necessary to carry on fighting so that ...”

“... about evacuees or eyeing the shortcomings of a nation besieged. His sets and costumes for Robert Helpmann’s ballet Miracle in the Gorbals of 1944 were generally agreed to be the only things worth remembering about it. He attended rehearsals at Sadler’s Wells: ‘2 sharp pokes with broken bottles in the face then followed a sort of descent de la ...”

“... group’s appropriation, protested vigorously, as did an older generation of advocates such as Robert Duncan, whose work was heavily influenced by Zukofsky and who resented what he felt was brazen opportunism and a fundamental misreading of the poetry. There was quite a noisy back and forth for a while – great fun really. Scroggins discusses all this in ...”

“... made evident by the rise of high-return auctions, the most infamous being the 1973 sale of the Robert and Ethel Scull collection, which centred on Pop. Enraged artists saw none of the profits (with Hirst, in this respect, there has been a complete turnabout). After the recessionary 1970s, the anti-regulatory policies of Reagan and Thatcher promoted a new ...”

“... up to be Pierce Brosnan’s match, Cate Blanchett is rumoured to be portraying Mata Hari in a Robert Altman TV film, and Helen Fielding has created Olivia Joules, in her Bond-parody follow-up to Bridget Jones, Olivia Joules and the Overactive Imagination.† There’s nothing of the Amazon about Olivia: she’s a curvy blonde, wears Prada and uses her ...”

“... the popular comedy The Cocktail Party: Eliot was now ‘a master of theatrical contrivance’, as Robert Spaight argued, or a superior sort of Buchmanite, as Desmond Shaw-Taylor alleged; or both at once. William Barrett, in Partisan Review, wished Eliot had followed the road he had opened in ‘Sweeney Agonistes’, and so avoided producing ‘the weakest ...”