Ripping Yarns
John Sutherland, 8 April 1993
“... began by acknowledging the ‘curiosity aroused in me by Tennyson’s Maud and Locksley Hall, ostensibly dramatic poems which were strangely flawed, I always felt, by some hidden emotional connection with the poet’s own life. What was it?’ It was, Rader discovered, the steamy psycho-sexual drama of Tennyson’s premarital affair with Rosa ... ”