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What’s going on?

Peter Mair: The Netherlands, 14 December 2006

Murder in Amsterdam: The Death of Theo van Gogh and the Limits of Tolerance 
by Ian Buruma.
Atlantic, 278 pp., £12.99, October 2006, 1 84354 319 2
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... to suppose that, lulled by the calm and intelligence of their interlocutor, they were more frank than is usually the case when dealing with the media. The former Liberal leader and recent EU commissioner, Frits Bolkestein, for example, is quoted as saying: ‘One must never underestimate the degree of hatred that Dutch people feel for Moroccan and ...

Marvellous Boys

Mark Ford, 9 September 1993

The Ern Malley Affair 
by Michael Heyward.
Faber, 278 pp., £15, August 1993, 0 571 16781 0
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... birth, life, death and meteoric rise to fame, Ern Malley has continued to provoke virulent debate. Michael Heyward’s shrewd and funny book not only provides full social and literary contexts for the affair, but explores Malley’s almost equally intriguing afterlife. Much to the dismay of his two inventors, he was no sooner invented than he cut loose and set ...

You Have A Mother Don’t You?

Andrew O’Hagan: Cowboy Simplicities, 11 September 2003

Searching for John Ford: A Life 
by Joseph McBride.
Faber, 838 pp., £25, May 2003, 0 571 20075 3
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... of that one film I would love to read a thorough life of Ford (such as Joseph McBride managed for Frank Capra, that other fragile hero). The reasons Ford ‘has such defenders’ are amply supplied in the book McBride has now written about him, which shows how we might do better not to understand our enemies too quickly, how even idiots have art in ...

Hillside Men

Roy Foster: Ernie O’Malley, 16 July 1998

Ernie O’Malley: IRA Intellectual 
by Richard English.
Oxford, 284 pp., £25, March 1998, 0 01 982059 3
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... authentically modern prose, comparable to the fiction of that same generation by Sean O’Faolain, Frank O’Connor and Liam O’Flaherty. Other auto-biographical writers (or non-writers) like Barry and Breen had produced naive, highly-coloured morality tales, written in an idiom derived from the 19th-century nationalist tracts excoriated by Yeats. O’Malley ...

Change at MoMA

Hal Foster, 7 November 2019

... photography, Latin American mail art, an archival dive into the New York poet and MoMA curator Frank O’Hara, and so on.For the most part art-historical terms – Fauvism, Cubism and the rest – are avoided in wall texts in favour of general rubrics like ‘Abstraction and Utopia’ and ‘Design for Modern Life’, and inclusive settings like ‘Paris ...

Diary

Tom Nairn: On Culloden, 9 May 1996

... thoughtfully about from one clan grave to another while the present Stuart claimant to the throne, Michael James Alexander, was being interviewed by BBC Scotland. He is a gentle Belgian socialist who once worked as a waiter in Edinburgh but has taken up PR. ‘I felt it was important to attend,’ he told the cameras. ‘Ethnic cleansing was carried out after ...

Blighted Plain

Jonathan Meades: Wiltshire’s Multitudes, 6 January 2022

The Buildings of England: Wiltshire 
by Julian Orbach, Nikolaus Pevsner and Bridget Cherry.
Yale, 828 pp., £45, June 2021, 978 0 300 25120 3
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... There are commendable extensions to the New Art Centre at Roche Court, to a nearby house by Michael Manser and to the Council House in Salisbury. Douglas Stephen’s David Murray John Tower in central Swindon is one of the finest buildings in Britain of its age (early 1970s) – a sleek homage to ...

A Susceptible Man

Ian Sansom: The Unhappy Laureate, 4 March 1999

Living in Time: The Poetry of C. Day Lewis 
by Albert Gelpi.
Oxford, 246 pp., £30, March 1998, 0 19 509863 3
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... to Gelpi, plumbs great depths. Despite its uniquely complicated motives and its unusually frank statements of intent, living in Time is in fact the logical outcome of Gelpi’s methods and beliefs, already demonstrated and outlined in his two important books on the American poetic tradition, The Tenth Muse (1975) and A Coherent Splendour (1987). In ...

Cheerfully Chopping up the World

Michael Wood: Film theory, 2 July 1998

The Material Ghost: Films and Their Medium 
by Gilberto Perez.
Johns Hopkins, 466 pp., £25, April 1998, 0 8018 5673 6
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On the History of Film Style 
by David Bordwell.
Harvard, 322 pp., £39.95, February 1998, 0 674 63428 4
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Gilles Deleuze's Time Machine 
by D.N. Rodowick.
Duke, 260 pp., £46.95, October 1997, 0 8223 1962 4
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The Aesthetics and Psychology of the Cinema 
by Jean Mitry, translated by Christopher King.
Athlone, 405 pp., £45, February 1998, 0 485 30084 2
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Signs and Meaning in the Cinema 
by Peter Wollen.
BFI, 188 pp., £40, May 1998, 0 85170 646 0
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... is a persuasive rehabilitation; none of the chapters is without memorable insights. We learn that Frank Capra, for example, is not the populist he is supposed to be: ‘His politics are . . . a kind of middle-class noblesse oblige.’ Keaton is not a rebel or a clown but a person who discovers that ‘setting up residence in the world’ is much harder than ...

Posthumous Gentleman

Michael Dobson: Kit Marlowe’s Schooldays, 19 August 2004

The World of Christopher Marlowe 
by David Riggs.
Faber, 411 pp., £25, May 2004, 0 571 22159 9
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Christopher Marlowe and Richard Baines: Journeys through the Elizabethan Underground 
by Roy Kendall.
Fairleigh Dickinson, 453 pp., $75, January 2004, 0 8386 3974 7
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Tamburlaine Must Die 
by Louise Welsh.
Canongate, 149 pp., £9.99, July 2004, 1 84195 532 9
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History Play: The Lives and Afterlife of Christopher Marlowe 
by Rodney Bolt.
HarperCollins, 388 pp., £17.99, July 2004, 0 00 712123 7
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... and has been followed by Mark Thornton Burnett’s edition of the plays for Everyman in 1999, and Frank Romany and Robert Lindsey’s for Penguin in 2003; the first Cambridge Companion to Christopher Marlowe appeared last month (edited by Patrick Cheney).* Even without the bloodshed and intrigue that the fatal stab wound in Deptford supplies, the ...

Diary

Christopher Hitchens: On Peregrine Worsthorne, 4 November 1993

... Cecil, the brave but dim-bulbed scion of the Salisburys. We met in Meikles bar and had a very frank chat, in the course of which Worsthorne said that while he could easily look on, say, Asians, as equals, he found it very tough to extend the same indulgence to the natives of the Dark Continent. When I told him I was off to interview Sir Roy Welensky, once ...

Antigone on Your Knee

Terry Eagleton, 6 February 2020

A Cultural History of Tragedy: Vols I-VI 
edited by Rebecca Bushnell.
Bloomsbury Academic, 1302 pp., £395, November 2019, 978 1 4742 8814 9
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... media. We encounter it all the way from Taxi Driver and Mulholland Drive to The Diary of Anne Frank and Amy Winehouse, from the classical hubris of O.J. Simpson to the collective hubris of ecological disaster. With Freud and the existentialists, tragedy continues to colonise philosophy, as David Kornhaber points out. In a fluid, fragmented culture hostile ...

What was it that so darkened our world?

Benjamin Markovits: W.G. Sebald, 18 October 2001

Austerlitz 
by W.G. Sebald, translated by Anthea Bell.
Hamish Hamilton, 415 pp., £16.99, October 2001, 0 241 14125 7
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... part of The Emigrants, the first of Sebald’s novels to be translated from his native German (by Michael Hulse) and published in Britain, where Sebald has lived since 1966. In that episode, Sebald describes the life of Max Ferber (based loosely on the painter Frank Auerbach), a Jewish boy sent to England in 1939 to escape ...

Schadenfreude

R.W. Johnson, 2 December 1993

The Downing Street Years 
by Margaret Thatcher.
HarperCollins, 914 pp., £25, October 1993, 0 00 255049 0
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... been no difficulty in showing that, in these memoirs as in her career, Thatcher has been neither frank nor humble. Mrs Thatcher appears to suffer from a quite advanced form of egomania, or megalomania, or both; and it is genuinely difficult for her not to see everyone else as either her opponent or an instrument of her will. The former are immediately ...

Dog Days

Stan Smith, 11 January 1990

Plays and Other Dramatic Writings by W.H. Auden, 1928-1938 
edited by Edward Mendelson.
Faber, 680 pp., £25, July 1989, 0 571 15115 9
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... raised a question that wouldn’t go away for Auden: the importance, or the impotence, of being frank. Discussing Peer Gynt in The Dyer’s Hand, he wrote that ‘both the dreamer and the madman are in earnest; neither is capable of play-acting.’ The dreamer is ‘like the movie-goer who writes abusive letters to the actor he has seen playing a ...

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