Warm Drops in Baghdad
John Simpson, 22 November 1990
“... Iraqi people,’ he said. There is something in that. The portraits which dominate crossroads and major buildings throughout the country are there in part to express his domination over the cultural and ethnic diversity of Iraq. In them, like a visitor to a theatrical costumier’s, he appears in the Bedouin k’fieh, the turban of a Kurd, the suit of an ... ”