Tomorrow it’ll all be over
Nicholas Spice: The Trouble with Philip Roth’s ‘Everyman’, 25 May 2006
“... in the narrative is a powerfully expressive feature of a book whose formal intricacy could be thought the most interesting thing about it. Of course, we only fully appreciate the novel’s structural virtues once we have finished reading it, and if we came to it fresh from the invigorating experience of Sabbath’s Theatre or the American Trilogy or ... ”