“... Another drawing was done with a nurse’s blue pencil on the flyleaf of a volume of The Works of Robert Louis Stevenson.‘These drawings were presented to me by a very ill man,’ the catalogue entry read, quoting Edward Adamson, the art therapist who first encountered J.J. Beegan in 1946. By the time they met, Adamson explained, Beegan ‘had been in a ...”

“... is the second part of a two-part interview. Part 1: ‘You Muddy Fools’ I want to ask you about Robert Lowell: as an influence on your work, that is, and only then as what he later became – a ‘Life’, the subject of your first full-length biography. You did and do admire him greatly as a poet, yet in his poetic practice didn’t he trample all over the ...”

“... and Bennett, of course, and also Max Beerbohm, Samuel Butler, Galsworthy, David Garnett, Hardy, Robert Hichens, W.H. Hudson, Lubbock, H. de Vere Stacpoole are mentioned, also Forster’s close friend G.L. Dickinson. Of another, highly gifted friend, Virginia Woolf, he has very little to say, merely a glancing though favourable allusion. While he was writing ...”

“... of a supposedly medical minority. Individually, it dictates the indeterminacy of the central alter of the story: Albertine, projection of Proust’s love for a young man, obliged to acquire the image of a young woman, can never achieve resolution, remaining a vague blur, drained of substance by the prohibition Proust imposed on his creation.A sexual ...”

“... of almost everything Russian, from banks to cats (now banned from international competition), will alter the political fortunes of Vladimir Putin.Over the years, however, the weapon itself has been refined. In the late 1980s, officials at what had been a sleepy bureaucratic backwater at the US Treasury, the Office of Foreign Assets Control, developed the tool ...”

“... between them. When you read the conversation that ensued you find that they end up agreeing over a Robert Lowell poem, ‘For the Union Dead’. It was agreed by both to have emotional content but also to have a sort of marmoreal shapeliness.Well, it is one of Lowell’s best poems. Was the dialogue edited much?No, we let them be as they were. And I think ...”