“... To what degree is our experience of modern – let’s say rather, contemporary – architecture mediated through photography? To what degree, in other words, is that experience really photographic rather than architectural (and spatial)? And would such ‘contamination’ be a bad thing? Is it possible that the buildings themselves are complicitous, no longer offering the grand head-on, Neoclassical façades for simple reproduction (see, for example, the magnificent Richard Pare collection, Photography and Architecture 1839-1939)? Photography would then be co-operating in the actual construction of the newer buildings, angling into dimensions of built space that our ordinary human bodies have little daily commerce with, combining planes we normally separate in dramatic visual ‘chords’, and absorbing the signs of space in order to produce a new simulation ...”

“... summer, Michael Jackson has been hanging out in Bahrain, enjoying the hospitality of the ruler’s poptastic son Sheikh Abdullah. Jackson is said to have become a Muslim (which is sure to please his critics on Good Morning America), but evidence would suggest he has yet to get the hang of Islamic custom. Not long after arriving in the famously tolerant ...”

“... carbon paper, then mail the top sheet back and keep the carbon copy for his own records. Cage’s correspondent was expected to reply inside a box positioned to the right of his message: assuming everyone wrote inside their boxes, and remembered to tear out the carbon paper underneath, the process would result in both parties retaining a complete record of ...”

“... Today’s intelligentsia does not seem to go for new highbrow novels; and middlebrow readers with the fiction habit who sometimes have to make do with them would probably prefer something more nourishing and comforting, as well as something that takes itself less seriously. For how seriously today’s novel takes itself was what one felt after getting through a record number – 130 – for this year’s Booker Prize judging ...”

“... the flightless and the fully fledged, to one function only: masculine power. According to David Halperin, one of the most sophisticated members of this school of thought, ‘the symbolic language of democracy proclaimed on behalf of each citizen, “I, too, have a phallus.” ’ The herms are Hermes no longer, but a symbol of the patriarch, not ...”

“... This is a strange book, but deceptively so: one of its strangest features is to appear to be aggressively conventional. In his short, spare first novel, The Virgin Suicides, Jeffrey Eugenides used an elegiac first-person-plural narrative to turn the deaths of five suburban sisters into a myth of postwar American decay ...”

“... At the end of David Dabydeen’s poem ‘Coolie Odyssey’ (1988), the poet, deracinated by education, distance and time from the dirt-poor ancestors he is elegising, considers his British audience: congregations of the educated Sipping wine, attentive between courses – See the applause fluttering from their white hands Like so many messy table napkins ...”

“... 1990s. One of them has just come back from Iran, where he works in an ice-cream cone factory. He’s about to get married to a woman he hasn’t seen since she was 12. The whole family is getting ready for the big day, so this weekend road trip turns into a party, with lots of eating, tea drinking, cigarette ...”

“... in motion, for example: a barn owl with a mouse in its beak, caught by Eric Hosking in 1948, a brown rat photographed by Stephen Dalton as it jumped from a bin in 1983. Curiosity about the look of exotic tribes was not limited to pictures from abroad. The four performers of the Abbot’s Bromley Horn Dance, taken by ...”

“... with the classics of the genre, is off. There is another premise, another genre in question. David Selznick told Wilder that ‘mixing gangsters and comedy wouldn’t work,’ and perhaps even Wilder didn’t know at first how wrong his adviser was. Would the St Valentine’s Day ...”

“... Every picture tells a story – even the illustrations on the covers of books. Michael Kater’s cover shows a rather shabby, cabbage-patch Hitler attending a harvest festival in 1936, receiving the salutes of a crowd in which the faces of adoring women are prominent. The image is both revealing and misleading. The peasant costumes certainly alert us to the affinities between Nazism and provincial kitsch, and Hitler’s studied geniality also reminds us of his extraordinary personal popularity, always much greater than that of the party as a whole or of its other leaders ...”

“... buoyed up by the apparent successes of the post-war welfare state, turned with relish to Britain’s industrial past, partly to test and refine the grand generalisations of Toynbee, the Hammonds, Clapham and Ashton, and partly to see what (if any) guidelines that past might yield for those who wished to transform the Sahara Desert of the present into the ...”

“... event. The first and second surveys were undertaken by PEP in 1966 and 1972, the third by PEP’s successor, the PSI, in 1982-83. Black and White Britain acknowledges that the UK is a multi-racial society and that this fact has brought with it considerable benefits and at the same time posed problems which call in question the civility of our society, our ...”

“... its report on the morning of 6 July, seven years and 21 days after it was established by Gordon Brown with a remit to ‘look at the run-up to the conflict, the conflict itself and the reconstruction, so that we can learn lessons’.* It offers a long and painful account of an episode that may come to be seen as marking ...”

“... afternoon in March when Desert Orchid won the Cheltenham Gold Cup. Desert Orchid was the nation’s most popular racehorse, a grey steeplechaser who had become, in tabloid-speak, the ‘housewives’ favourite’, or as the broadsheets might put it, ‘the horse whose appeal transcended his sport’. The Cheltenham Gold Cup is the most important race in the ...”