“... a leisurely luxury, and early writing about the epidemic was raw testimony, often from people like David Wojnarowicz who knew they didn’t have the time for subtlety, fighting rhetoric with rhetoric by diagnosing a disease whose symptoms were ‘sweating palms, angry outbursts, hysteria, the discharging of handguns’.* Even journalism struggled to keep up ...”

“... before Wimbledon and other prized parts of the output go the way of the Premier League and Sir David Attenborough onto better financed channels. That’s not the only difficulty. It is generally reckoned that if the BBC is to justify being the beneficiary of a poll tax, the BBC needs to reach at least 90 per cent of the UK audience, although there is a bit ...”

“... yourself in – is displaced or obscured by it. Some people found it charming. I think Adam Mars-Jones put it unanswerably in his review when he said: ‘Adam Thirlwell has simply underestimated the amount of charm needed to make good what he has subtracted from the pleasures of reading.’ And this simple mistake of arithmetic also applies to Kapow! It is ...”

“... court of Lorraine, at Lunéville. She was fat, looking in her portrait by Tocqué a little like David Hume (her friends called her ‘La Grosse’); also hopelessly disorganised, full of neurasthenic aches and pains, and a great groaner and complainer – but this last somehow in a companionable fashion, showing she was as interested in ...”

“... into my barn’ (Matthew 13, 30). Religious language with a different resonance is deployed by David Halperin in his Saint Foucault, which bears the subtitle ‘Towards a Gay Hagiography’. Halperin is well aware of the dangerous echo of Saint Genet, Sartre’s overbearing and invasive gloss on another writer’s life and work, but appropriates another ...”

“... a genre requirement that the central figures of novels be positive in their temperaments: David Lurie in J.M. Coetzee’s Disgrace, for instance, is stubborn and curmudgeonly, with a streak of self-sabotage a mile wide. It isn’t even a requirement that they be sane, as shown not only by Nabokov’s Kinbote but by the narrator of Nicholson Baker’s ...”

“... to the Indian population, though often through the efforts of Indian doctors and philanthropists. David Arnold’s book covers the early 19th century in greater detail and includes a chapter on the anguished responses to the first cholera pandemic of 1818-25. He provides fascinating material on the period when Europeans were trying to come to grips with ...”

“... figure eventually has to let him go, triggering a suicidal binge. Although largely a creation of David O. Selznick, a producer with a predilection for sentimental narratives, What Price Hollywood? draws on the career and decline into alcoholism of the silent era director Lowell Sherman, who himself plays the dissipated drunkard Maximillian Cady. Cady and his ...”

“... ambitions for them, rather than writing whatever would please current theatrical fashions. Emrys Jones has pointed out in The Origins of Shakespeare that the 16th century was the period of a Humanist ‘educational revolution’ which generated immense intellectual excitement and produced a heightened political and historical consciousness from the renewed ...”

“... admired as a great prophet, and whose work is quite unreadable today); the ‘manifestly insane’ Jones Very (who considered himself the ‘new born bard of the Holy Ghost’, and who went around baptising people until he made the ‘tactical error’ of trying to baptise several Salem ministers who promptly had him put in an asylum for a month); and Henry ...”

“... has reconstructed is only a ‘family romance’, an operetta played out on her own toy stage. And David Lodge’s heroine complains that she is ‘getting dragged into a classic realist text, full of causality and morality. How can I get out of it?’ Trust the contemporary novelist for that, we might think – though, for Lodge’s characters, it’s a close ...”

“... art’. How did he do it? And why did the revival of the comedy of humours which lasted from Tom Jones to Thackeray’s Book of Snobs, and in which Gillray now seems a central force, shut down in the mid-Victorian years almost as unaccountably as it began? In his essay ‘On Modern Comedy’, Hazlitt offered a provisional explanation: comedy, he ...”

“... defended the Liberal cause at the Punch table. John himself had been at Eton with Alan Pryce-Jones, Anthony Powell, Eric Blair and Cyril Connolly, who, we are told, stood at the door of his room in the Sixth Form Passage asking, ‘Well, Johnny Lehmann, how are you this afternoon?’ While he was at Trinity his sister Rosamond published her first ...”

“... Christopher Hassall was asked to write the authorised biography in part because, as Nigel Jones notes in his own biography of Brooke, Hassall’s lengthy Life of Eddie Marsh had managed ‘to avoid the topic of his subject’s homosexuality’ and he could therefore be relied on to be discreet. (It’s unfair to say that Hassall doesn’t tell the ...”

“... A novel is different. A novel is a bicycle, and readers must pedal. The recent film version of David Mitchell’s Cloud Atlas gave a vivid demonstration, almost a bullet-point presentation, of how differently narrative works in the two media. The book presents the reader with a number of openings, which break off without explanation. Readers who persevere ...”