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“... response. In so doing he may have hoped to enhance his critical reputation as well: for if, as David Freedberg recently argued in The Power of Images, the aesthetic appreciation of art depends on the repression of instinctual physical reactions, the construction of an incorporeal viewer is a demand for critical (rather than popular) recognition. And this ...”

“... meet the requirements of ‘civilised engineers’ like Petroski or design specialists like David Pye. Moreover, in both countries, concern about ‘public images’ starts with the engineers themselves. As far as Britain is concerned, a contrast is sometimes drawn between Wilson’s times, the times of Samuel Smiles’s Lives of the Engineers, when ...”

“... literary critics are going to have to come to some accommodation with Burke; at the very least, as David Bromwich proposes in quite another context, they may have to embrace a Burkean language but wrest it to non-Burkean ends. This means that the relationship with ‘New Historicism’ and its marxisant traditions will inevitably be uneasy. When Harrison ...”

“... all the many commentators in the West who had something to say about the Hebron events, only one, David Shipler of the New York Times, made a connection between Baruch Goldstein, political Judaism and Zionism itself. All of them, he said correctly, are aspects of each other: they can’t be broken up into smaller, separate units called ‘single deranged ...”

“... Jean Renoir was admired by his followers and contemporaries for the relaxed feel of his films. He himself loved the improvisatory quality of the Commedia dell’Arte, which he saw as a struggle between ‘the tendency toward exterior realism and that toward interior realism’, and wrote that what he considered to be ‘the ultimate in cinema as in theatre’ was ‘a style and dialogue that sometimes borders on the burlesque ...”

“... to another style of American comedy either, the blandly sarcastic, deliberately unfunny manner of David Letterman (which has its own downsided literary counterpart in Carver’s dreary and attenuated epiphanies and Didion’s distressed reportage). In Prêt-à-Porter Altman is deliberately frivolous and shallow because he has made a farce, not because he aims ...”

“... by the Moreel triptych and some thirty more works, was classed along with Van Eyck and Gerard David as the great Flemish primitive. On that occasion his particular Flemish religiosity (again with the less-than-convincing comparison to Fra Angelico) was emphasised. On the one hand, the very model of a Flemish primitive master; on the other, the German ...”

“... the Party, the crisis within ruling circles in the Eighties, perestroika. On all these subjects, David Remnick’s Lenin’s Tomb is the more acute and penetrating guide. Kapuściński spends no time in dissidents’ apartments, or at the crowded press conferences in Moscow’s international press centre; high politics bores him. He has slipped away from the ...”

“... contemporaries. But they were not left to be admired – except in details like the rock the David stands on, where rusticity was appropriate. Rodin’s way of leaving figures half in and half out of the block, and letting the lines show where piece-moulds joined on bronzes, was evidence of his tenderness for the unfinished state – but these things can ...”

“... Bagehot remarked of the House of Lords that anyone who had a high opinion of its contribution to the governance of Britain should go and have a look at it. He clearly believed that the mere sight of the so-called Upper House at work would cure any tendency towards excessive reverence. He had sound reasons for this judgment, since the outstanding feature of the Victorian House of Lords was, in a word, absenteeism ...”

“... are translated as follows: ‘and they put to death the Leader of the Community, the Bran[ch of David ...] / and with woundings, and the (high) priest will command.’ The verb rendered as ‘woundings’ might be cognate with the verb meaning ‘to pierce’ that occurs in the Suffering Servant passage of Deutero-Isaiah, and Eisenman and Wise are happy to ...”

“... business. The most sensational book on this score was Japan’s Imperial Conspiracy (1971) by David Bergamini, who saw the Emperor as the mastermind of Japanese militarism. The book was so riddled with factual errors that it was easy to discredit. Even so, Bergamini was a much used source for Edward Behr’s popular book Hirohito: Behind the Myth ...”

“... explain and go to check the newspapers. The Independent has a well-informed and balanced piece by David McKittrick on the genesis of the ceasefire. He seems cautiously optimistic. Not so that other old ham, Conor Cruise O’Brien, writing on the same newspaper’s opinion pages. O’Brien sees the timing of the ceasefire as evidence of a Machiavellian plot to ...”

“... were painted by Abraham Bosschaert, an Antwerp painter displaced to the Hague: landscapes by David Vinckboons from Mechelen and Antwerp; and architectural fictions by Paulus Vredeman de Vries, another refugee from Antwerp who eventually settled in Amsterdam by way of Danzig and Prague. It is persuasively suggested that the marked specialisation ...”

“... with about as much in common as Michael Howard and Dennis Skinner. One of them is described by David Solkin in his Painting for Money, reviewed in these pages last year by Ronald Paulson. Solkin’s Hogarth is an ambitious social climber, determined to efface the memory of his beginnings as an apprentice in the trade of silver-engraving, and to become a ...”