“... Prints​ are defined by their reproducibility, but the monotype is self-destructive, its printable design effaced after one or two passes through a press. Since the printmaker neither etches nor engraves into the plate, but merely draws or paints directly onto its surface, the transfer of ink from plate to paper can only truly be made once (as the ‘mono’ in monotype suggests ...”

“... Israel’s violation of human rights but to join the Palestinian people in their struggle for self-determination. For a number of years, I spent most weekends with Ta’ayush in the West Bank; during the week I would write about our activities for the local and international press. My pieces caught the eye of a professor from Haifa University, who wrote a ...”

“... to yourself: I’m me.’ Hujar’s subjects seem to have heeded the same advice: they exhibit a self-possession tending to the monumental. You can see it in his 1981 portrait of the actor Madeline Kahn. Hujar posed her in an empty studio, wrapped in a hulking, dark coat: she looks like a solid black mass from which face, hands and legs emerge. The ...”

“... changing the church’s approach to social issues; conservatives tend to see it as a sad loss of self-confidence, degrading a rich and beautiful tradition and setting the church adrift. Mixed positions, which combine progressive social views with affection for traditional forms (or vice versa), are much rarer than they are in the Church of England.Francis at ...”

“... and rhetorical skill; he was also the model for Milton’s belief that to be a poet required self-restraint and, above all, chastity (the young Virgil was known as Parthenias or ‘virgin’).McDowell discusses Milton’s early education, especially the influence of his teachers – first Young, then Alexander Gil (father and son) at St Paul’s, then ...”

“... we want to take certain lives and kinds of art – and how we take them seriously without self-referencing the life out of them, without deadening the very things that constitute their once bright, now frazzled eros and ethos. One of the big differences between Bowie’s heyday in the 1970s and now is that today you can choose from a huge selection of ...”

“... hoarding flies, reducing his handsome accommodations to a warehouse, caring only to measure his self-contentment by the quantity of his acquisitions, was surely crazy. To remain indifferent to the interests or opinions of others, except when to consult them might mean an increase to his store, the encroaching measure of his own greatness: to live thus was ...”

“... Autobiography of Alice B. as a crucial document in the history of Modernist fashioning and self-fashioning – the story of Axel’s tower or Babel’s, told in the first person. It should also make us think yet again about the legacy of cultural Modernism – and about its relationship to the larger fate of Europe in mid-century. The Man from ...”

“... socialist country, furthering reform, advancing the rule of socialist law and strengthening party self-governance. There are the ‘Four Self-Confidences’: self-confidence in the path of socialism with Chinese characteristics, self-confidence in the ...”

“... way beyond expectations. When this happens, the player or team seems to acquire an aura of self-assurance that transmits itself to supporters, fuelling a strong conviction that things are going to turn out for the best. This sense of conviction then reinforces the confidence of the players in their own abilities, appearing to create for a while a ...”

“... Geller had given him a mind-expanding reading list of what we would now recognise as New Age self-help books. Elvis had read them all, performed all the meditations, but didn’t feel the light, not in mind, body or soul. The fire refused to descend; his spiritual air remained a vacuum. Now, on the plush customised tour bus, Geller was thrown by how ...”

“... women, felt driven to sketch his extraordinary personality. Koestler himself wrote several mordant self-analyses. Scammell from time to time interjects his own ideas on what – his neglectful mother, his inner conflict over his Jewishness in anti-semitic Central Europe – made Koestler so pugnacious, so insufferably competitive, so tyrannical and ruthless ...”

“... precocity here takes a cultural form that was central to Spender’s own habitual confidence or self-importance. And the second is that, as a writer, Spender was, as he sometimes acknowledged, a constant autobiographer. In World within World, his first formal autobiography, published when he was only 42, he contrasted himself with those of his poetical ...”

“... her father and Tancredi, she has neither the intelligence nor the extraordinary, almost abstract self-esteem that the old Leopard has. Lampedusa treats her harshly. Her fondest possession is her father’s dog, stuffed after its death, and the novel ends with her sudden discovery of the ‘inner emptiness’ that the dogskin symbolises: As the carcass was ...”