At Tate Modern
Tony Wood: Kazimir Malevich , 21 August 2014
“... a Church (c.1905) to the Klimt-esque Shroud of Christ (1908); from the sensuous fluidity of the Self-Portrait (1908-10), which would recall Gauguin were it not for Malevich’s unmistakeable blunt stare, to the green-grey tones – Malevich later called it ‘Cézannism’ – of Landscape (1911). The succession of idioms is striking for its speed: months ... ”