“... broached brandy bottle is characteristic of Hughes’s practical canniness. Two months later (22 May 1956) he is telling Olwyn:I have met a first-rate American poetess. She really is good. Certainly one of the best female poets I ever read, and a damn sight better than the run of good male. Her main enthusiasm at present is me, and she thinks my verses are ...”

“... Le Roy Ladurie, whose Times of Feast, Times of Famine was published in 1971. A decade later, Robert Rotberg and Theodore Rabb published a trailblazing volume of essays, Climate and History, their mission to explore ‘an exciting frontier for reading and research’. Recently, the geologist Gifford Miller and his team at the University of ...”

“... he paints, and Velasquez looks back at us through the eyes of a court dwarf. This self-involvement may all the more readily be found in literature since most poets tend to be experts on themselves. Outgoing and unegoistic as he was, Keats shows himself in his letters to be endlessly articulate on himself and his writing, and the poems, too, can be read as ...”

“... was convincing’ (you could argue that a convincing pastiche is a contradiction in terms). Ormond may have found for the plaintiff on the grounds that Ashley couldn’t fulfil the role of a wife (‘the essential role of a woman in marriage’), but it is obvious from Corbett’s statements that this was never exactly what he had had in mind. For ...”

“... shows little difference in method from the principle of observation in the Diary itself, and this may have been deliberate policy on her part. She would write as she observed, and in the first plan for The Years, to be called ‘The Pargiters’, she envisaged something ‘leading naturally on to the next stage, the essay-novel’. That is what all her novels ...”

“... write con amore … was … no part of his character.’ Verse starved of parental love may well have problems attracting affection later. T.S. Eliot took a charitable interest in the case in 1921, but his contribution is rather reminiscent of Mr Brocklehurst in Jane Eyre enjoining the Lowood girls to be glad of their burned breakfast: ‘We cannot ...”

“... his famous revision of ‘or’ to ‘and’ in the line ‘We must love one another or die,’ may suggest a quick answer at the outset: song hopes to be ‘happy’ and to possess the knowledge of life. But to come so quickly to so glib a conclusion would rob us of the pleasure of enquiring into the fabric of the poetry itself.Hard-bitten, aggressively ...”

“... notably the poet Saint-John Perse, talked down De Gaulle; Washington’s envoy to Vichy, Robert Murphy, briefed hard against him; but perhaps the president drew his own conclusions from the disastrous Anglo-French assault on Dakar in the autumn of 1940, undertaken at De Gaulle’s urging. Almost certainly, after the Spanish Civil War, he seemed to ...”

“... the gullible midget hero.’ This insistence on shining a new light on unlikely sexual relations may help explain why the original version of Freaks was heavily cut and edited and no longer exists; why the film, even in its edited state, was banned in Britain for thirty years; and why American audiences flocked to see it in some places ...”

“... periodically reverts to a hirsute beast in Virginie Despentes’s torrid first-person rewrite of Robert Louis Stevenson (its title winningly translated as ‘Hairs on Me’). The creatures are present because short stories make it their business to speculate about an otherness they do not have time to investigate, and animals are far-reaching analogies. They ...”

“... in his view of literary history: he held no overt thesis on the precise causes of that decline. He may have regretted that an independent peasantry (also Wordsworth’s desideratum) did not grow strong enough to survive the Industrial Revolution. But he relied less on social history than on his sense for the growth of an anti-word. The decline happened ...”

“... and wears the same subdued colours, and continues in the same vein for 30 lines. Only a little may divide a poem of this type from Fleur Adcock’s ‘The Soho Hospital for Women’, or ‘Old Man Travelling’, but ‘the little more and how much it is.’ The great danger to poetry today is that these sort of flat sensitive apprehensions ...”

“... Well, I could never write a verse, ­– could you?Let’s to the Prado and make the most of time.Robert Browning, ‘How It Strikes a Contemporary’The world has an established place for poems about paintings – sometimes you wonder if there was ever a poet who didn’t write one – but, oddly, the poem-painting relationship doesn’t seem to be reversible ...”

“... with an unusually low cover price subsidised by her own royalties. She picked a picture by Robert Capa for the cover, a young man lying dead on a heap of rubble, and composed a line of text to run underneath it: ‘A scandal that has lasted ten thousand years’. Within a year of publication, the book had sold 800,000 copies and was being discussed all ...”

“... Merton Professor of English Literature at Oxford agrees that ‘though they are world famous, they may disappoint modern readers. Some of them consist largely of complicated wordplay, and scarcely engage our feelings at all.’ Equally, he is enthusiastic about the things he loves: Donne, for instance, is celebrated as ‘the greatest English love poet’, and ...”