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“... of her early life and apprenticeship. Starkey confesses to having half fallen in love with the young Elizabeth, but to be merely interested in the later Gloriana, ‘her face caked in carmine and white lead ... an English Turandot’. But he had better sustain that interest, since this is only the first of two projected volumes on the subject, ‘the book ...”

“... muralist. By 1981, when his first book was finally published, his ‘portrait of the artist as a young Scot’ was called Lanark, as was its wheezy, skin-shedding hero. The book was a critical and popular sensation and changed the place of Glasgow in the world for ever. Not that Glasgow in the 1980s wasn’t changing anyway. In 1983, ...”

“... sensational ‘Olympia’ the year before, or was aware that the artist had recently acquired a young mistress called Camille Doncieux, whose face and form had served for the woman in green. But by simultaneously proclaiming her immortal and obliterating her identity, the critic effectively summed up her fate. Camille might pass for a portrait, but The ...”

“... and in fact was corrected by dicta of his on other occasions, as when he wrote: ‘If you paint a young girl, youth should scent the room: a thinker, thought should be in the air; an aroma of the personality.’ This is certainly true of his Cicely Alexander and Carlyle portraits, and one is astonished that Roger Fry could ...”

“... attitude towards her heroine adopted by such right-royal writers of an earlier generation as Roger Fulford. And she is no less critical of the condescending tone that characterised Aspinall’s highly selective edition of Mrs Jordan’s letters, which also unduly influenced subsequent writers (notably Brian Fothergill) who depended on them. Above ...”

“... and Heraclitus, and in Hölderlin, Hegel and Marx, and in James Hogg, is imparted to the young ones. He is the sort of Sixties dominie who keeps saying ‘fuck’ in class and inveighing against the system. His relationship with the kids is one between equals, but they also seem to expect him to be a wise man, and this is what he sometimes expects of ...”

“... anthology. There are a number of poems, by Suckling, Henry King, George Farewell, Andrew Young, which will probably be new to the reader, and which will certainly produce ‘the illusion that it was written specially for me’. There are well-known favourites too, like Housman’s ‘Bredon Hill’ and Flecker’s ‘Golden Journey’. Interesting ...”

“... to describe these as they might have appeared to a forward-looking monk who had been a disciple of Roger Bacon, and therefore believed in machines and science, and a friend of William of Ockham, and was therefore opposed to the multiplication of beings (and signs), sceptical of universals, a sort of proto-semiotician but also a common-sense ...”

“... is about how I was saved by language.’ This is an explanation as deceptive as any given to the young protagonist. Indeed, there are moments when the reader feels that the author comes closer to being damned by a self-indulgent infatuation with words. There is a preciousness to many passages, a quality of the ‘set-piece’ and of an over-contrived ...”

“... was born in 1872, the son of a professor of medicine in Gröningen. The young man studied Sanskrit, taking his doctorate in 1897, and his idiosyncratic path from there to the European Middle Ages shaped what he did when he arrived. Dutch history had only begun in earnest in the 16th century, so that Holland was late in producing ...”

“... his miserable, alcoholic married life – though his misery is now tempered with love for his two young boys and a grudging respect for his wife. At Last, the latest instalment of Patrick’s ‘perpetual crisis’, resembles the first three novels rather than its predecessor, in both its studiedly glib two-word title and its short time-span. It covers one ...”

“... that his name provided cover during the 1980s for a Tory critique of Thatcherism. High Tories like Roger Scruton, for whom the priority of laissez-faire doctrine signalled a betrayal of authentic conservatism, invoked Burke as a counterweight to Thatcher’s reading – or misreading – of Friedrich von Hayek. Thatcher’s philosophical hero was, by a further ...”

“... lies in its anatomy of 18th-century portraiture under various heads: portraits of children, of young girls, of men of learning, of military and professional men, of actors and of women. None of these could be termed a neglected area, yet Wind constantly illuminates well-worn issues. He re-animates the tired exercise of comparing and contrasting Reynolds ...”

“... for Anthony Blunt, who was giving a lecture tour for the Council in Greece, to meet and assess young men (‘That one’s rather jolly,’ ‘I rather like that one over there’) and sometimes paid them on his behalf, a part of the proceedings about which Blunt displayed great delicacy. He has nothing detailed or penetrating to say about the politics of ...”