Search Results

“... a slasher – though there is a very severe notice of the autobiographies of Anthony Powell and Peter Quennell – and he seems to enjoy being generous to other reviewers, as when he justly praises John Updike. He is full of gratitude to literary editors, commemorating Ian Hamilton’s work on the New Review in terms only this side of idolatry. Such writers ...”

“... Raymond Williams but Bernard Dix of NUPE and Jack Adams, Convenor at BL, Longbridge; not only Martin Jacques, editor of Marxism Today, but Peter Carter, UCATT regional organiser; not only Royden Harrison, professor of social history at Warwick, but Jack Jones and Stan Newens MP; not only Robin Blackburn of New Left ...”

“... new publications from the States: Mailer, His Life and Times, by (that means ‘transcribed by’) Peter Manso, and Conversations with Capote by (can this be the correct spelling?) Lawrence Grobel.1 Each book goes far, and unpleasantly, beyond mere feet-kissing, and each offers a neat image of the sort of literary-critical milieu in which the Mailers and ...”

“... with workaday portraits of 15th-century life and death. Aridjis’s narrator tends to move as Peter Greenaway’s camera, sideways rather than in and out. We are, it seems, to take at face value most of what this picaro tells us, as if his theme is too important for us to be left in any doubt over something as trifling and ‘literary’ as whether or not ...”

“... the tidiness and neatness of argument that we normally admire in a work of scholarship. Like Martin Gilbert’s The Holocaust, it takes the form of a list: there is one set of names and places after another, with no subordination to a grand theme or decisive conclusion. We don’t even know for sure the number of those who left Germany after 1933, let ...”

“... islet is crammed with men: Chief Vorstenbosch, Deputy Melchior van Cleef, Dr Marinus, Senior Clerk Peter Fischer, Junior Clerk Ponke Ouwehand, Arie Grote, Piet Baert, Ivo Oost, Wybo Gerritszoon. Their conversation is as cacophonous as their names. For instance: ‘most of us hands gather of an evenin’ in my humble billet, eh, for a little hazard ...”

“... book, Somebody’s Husband, Somebody’s Son (1984), was a painstaking re-creation of the life of Peter Sutcliffe, the Yorkshire Ripper. He topped that with an account of Fred and Rosemary West’s killing careers, Happy like Murderers (1998). The first resembles a documentary; the second is more like a novel in the sense of being more artfully shaped and ...”

“... rather than trying to transcend them. Mercifully, he isn’t above cinema’s temptations. Here is Peter Mullan being unduly harsh on My Name Is Joe, his collaboration with Loach: The problem with the social realists is that they want to have their cake and eat it. They maintain that their films are in a social-realist style and therefore credible, but ...”

“... that by now his publicity people would have come up with something a little more attractive.Martin Amis, MoneyWell, they keep trying. Look here upon this picture, and on this. Both are unsigned 17th-century portraits, one depicting a man, the other a child. The man is an affable-looking chap, reminiscent of Phil Hopkins, a percussionist at the repro ...”

“... reading matter, the titles she was happy to display. Alan Bennett’s Diaries and, of course, Peter Ackroyd’s gold-brick biography of Blake. Bennett, Ackroyd and Jonathan Miller – these were the figures who mattered most. The Christmas parcels of English literature. Enough of threadbare bohemia, paranoid narcissism, chemical tourism through the Third ...”

“... found Nabokov ‘rich in what is given to few writers and poor in what is given to most men’. Martin Seymour-Smith, reviewing Laughter in the Dark, described Nabokov as ‘a kind of Satanic Mantovani, coming into cruel close-up on your screens at the end of the compelling torment to ask (the question mark ironic): “You have been distressed by my ...”

“... more interested in rewards, but near the end it must have been hard to tell the difference.Stanley Martin Lieber was born in Manhattan in 1922 to Jewish parents who had emigrated from Romania. His father, Jack, was a dress cutter who could find only intermittent work during the Great Depression. His mother, Celia, ‘was my biggest fan’, he recalled. His ...”

“... how Jonathan Power tells it. Amnesty began in 1961, with the simple and apparently absurd idea of Peter Benenson, a British lawyer, that governments could be persuaded to release political prisoners simply by ordinary people writing letters to them. This remains the core of Amnesty’s work. Power’s is not an uncritical history. He refers both to the ...”

“... evolutionism of Lamarck. The point that Desmond brings out so well – drawing on the work of Martin Rudwick, Peter Bowler and Michael Bartholomew – is that Darwin’s Origin of Species actually caught Huxley on the wrong foot. If the future of scientific naturalism was, after all, to be bound up with an evolutionary ...”

“... about the early days of Motley. They had taken as a studio Chippendale’s old workshop behind St Martin’s Lane, where a gang of actors, led by Gielgud, could generally be found sitting around, gossiping, discussing productions and having tea. With a tea bill that sometimes came to £100 a week, it sounds cosy, cliquey and not the stuff of theatrical ...”