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“... through long association with the colonial setting, and … the word was then also applied to black African slaves born in the island or territory. Only more recently … did the term Creole come to designate a person of mixed African and European blood in certain settings.‘Édouard Glissant,’ Scholar says, ‘defined créolisation as the process ...”

“... show everything as though it enabled harmony and represented plenty: ‘Her hair lay thick and black on the pillow, and beyond her lay the garden, the thicket of cherry trees, covered two and threefold in white flower buds; and the short, squat chimney of the sawmill where we used to play cowboys and Indians.’ Descriptions in the pedantically realistic ...”

“... Bill’s advisers bullet-pointing paperbacks composed by a peripatetic, a white man who wrote in black-face. Griffin does not aspire to Easy’s confidential charm, his bright-eyed savvy, his innocence. He’s a white man’s black, darker in spirit, thwarted and confused. And New Orleans, the setting for Sallis’s ...”

“... malevolent, piteous or merely inaccurate, ought to be wound up after the publication of Michael Straight’s contribution. Very possibly, Anthony Blunt will one day write such a book himself. But the names have almost all been named, the questions of motive worn smooth, the titles and pensions (some of them) stripped like epaulettes, the spell in ...”

“... Though it does not say so, Michael Powell’s 700-page autobiography is merely the first volume of a work which Powell rather surprisingly tells us is ‘what my mother would have wished and what I was born for’. Surprising not for the reference to his mother, since he always speaks of her with the greatest affection and respect, but for the seeming dedication to letters in a man who never ceases to proclaim his lifelong devotion to images ...”

“... was named is not dead at all: he was secretly adopted by a childless rich couple and rechristened Michael Abyad; now a doctor, he lives in America and makes occasional visits to Beirut and the Palestinian Centre for Research. A few days after hearing the story Anton sees a magazine picture of a man standing by a bicycle, looking at bodies in the aftermath of ...”

“... deputy prime minister (Charles Dance) as part of a repeatedly thwarted scheme to depose the PM (Michael Gambon) – is so outraged by the abuse directed at the government by the leader of the opposition, at the disrespect being shown to his posse, that he rises from his seat and crosses the chamber, in heroic slow motion, through a forest of arms raised in ...”

“... million. His rise to fame, fortune and notice in the financial press had begun in the pitch-black economy with a little moonlighting, a hired garage, a gang of welders and 100 flotation tanks. Everything he has touched (since his first business went bankrupt, that is) has turned into tenners. What a triumph for supply-side economics! The trouble, as ...”

“... It must be confessed, without apology, that I was a noticeable Leftie in 1968: I was editing the Black Dwarf, a magazine I intended to promote socialist ideas for working-class readers. It was welcomed, however, by a quite different readership – the ‘student generation in revolt’ of Ronald Fraser’s title – and I was made to surrender my editorship ...”

“... Which is just what happened, so we’ve always been told, to the French at Crécy.In his new book, Michael Livingston argues that we have got nearly everything about Crécy wrong. The standard story has been told many times by historians and by novelists, including by Bernard Cornwell twenty years ago in Harlequin. (Cornwell has written a generous foreword to ...”

“... fishermen found another body washed up on a sandbank. It was identified as that of Atabong Michael Atembe, aged 32, also from Cameroon.The boat had sunk about 250 kilometres up the coast, near the state border with Oaxaca. I went there on a quad bike driven by a local teenager. The sand was littered with clothing. I made an inventory: a pair of ...”

“... articles; in AI-generated images (‘in thirty minutes of clicking he has landed on not a single Black face’); in a serial killer’s ability to evade capture for years (‘his victims were mostly Black women, many of them sex workers’); in the microaggressions he experiences as a ...”

“... of violence. The first is represented by the instance of a young woman shot from a lorry by the Black and Tans in Galway, the particular casualty behind the sharp, grim lines that goNow days are dragon-ridden, the nightmareRides upon sleep: a drunken soldieryCan leave the mother, murdered at her door,To crawl in her own blood, and go scot-freeThe going ...”

“... In a respectful but chary review of The Life and Times of Michael K (1983) in the New York Review of Books, Nadine Gordimer wrote about J.M. Coetzee’s ‘conscious choice’ of allegory as a literary mode in his first three novels. The reasons for this, she speculated, were temperamental: It seemed he did so out of a kind of opposing desire to hold himself clear of events and their daily, grubby, tragic consequences in which, like everyone else living in South Africa, he is up to the neck, and about which he had an inner compulsion to write ...”

“... with a charming little girl, as the bows bounce on her plaits; a gracious châtelaine with a young black boy and a darling little capering dog are engaged in something so outlandish that you look on shaken at the filth materialising under your eyes. ‘Auntie Walker’s Samplers’, the new works on the walls in Camden Arts Centre, made in situ for one of the ...”