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Hoarder of Malt

Michael Dobson: Shakespeare, 7 January 1999

Shakespeare: A Life 
by Park Honan.
Oxford, 479 pp., £25, October 1998, 0 19 811792 2
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Shakespeare: The ‘Lost Years’ 
by E.A.J. Honigmann.
Manchester, 172 pp., £11.99, December 1998, 0 7190 5425 7
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... local schoolchildren, all walking in time to regimental trumpets and the inane jingling of morris-dancers, the Immortal invoked and perhaps appeased by all this partakes at once of municipal worthy, folk hero, national icon, monarch, pagan god, Catholic saint and Messiah. (The last analogy is made all but inescapable by the name of Shakespeare’s ...

A Generous Quantity of Fat

Paul Henley: Yes, People Were Cooked, 2 September 1999

Man Corn: Cannibalism and Violence in the Prehistoric American South-West 
by Christy Turner and Jacqueline Turner.
Utah, 512 pp., $60, January 1999, 9780874805666
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Cannibalism and the Colonial World 
edited by Francis Barker and Peter Hulme.
Cambridge, 309 pp., £13.95, August 1998, 0 521 62118 6
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Cannibals: The Discovery and Representation of the Cannibal from Columbus to Jules Verne 
by Frank Lestringant, translated by Rosemary Morris.
Polity, 256 pp., £39.50, April 1997, 0 7456 1697 6
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Chronicles of the Guayakí Indians 
by Pierre Clastres, translated by Paul Auster.
Faber, 256 pp., £9.99, June 1998, 0 571 19398 6
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... harmony with nature, they have done so only by sloughing off the association with cannibalism. In John Boorman’s Hollywood movie, The Emerald Forest, the cannibal Indians are the bad guys, in league with the dam-builders who will flood the forest and dispossess the friendly Indians who are the film’s heroes. This is in line with Lestringant’s general ...

Joe, Jerry and Bomber Blair

Owen Hatherley: Jonathan Meades, 7 March 2013

Museum without Walls 
by Jonathan Meades.
Unbound, 446 pp., £20, September 2012, 978 1 908717 18 4
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... architects is essentially a list (Meades likes lists) of refined barbarians. The pantheon contains John Vanbrugh, Claude-Nicolas Ledoux, S.S. Teulon, William Butterfield, Frederick Pilkington, Dominikus and Gottfried Böhm, Claude Parent, Rodney Gordon, Richard Rogers (in his Gothic moods), Zaha Hadid. Sometimes, as with the Communist emulator of the style of ...

Cute, My Arse

Seamus Perry: Geoffrey Hill, 12 September 2019

The Book of Baruch by the Gnostic Justin 
by Geoffrey Hill.
Oxford, 148 pp., £20, April 2019, 978 0 19 882952 2
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... he devoted a great deal of his later imaginative effort precisely to not sounding like he used to. John Bayley, an attentive but sceptical admirer, once shrewdly said of the early Hill manner: ‘The danger with this sort of poetry is that it is the kind that looks like poetry, which need not mean that it is not the real thing, but is bound to raise a certain ...

Customising Biography

Iain Sinclair, 22 February 1996

Blake 
by Peter Ackroyd.
Sinclair-Stevenson, 399 pp., £20, September 1995, 1 85619 278 4
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Collected Edition of William Blake’s Illuminated Books: Vol I: Jerusalem 
editor David Bindman, edited by Morton D. Paley.
Tate Gallery, 304 pp., £48, August 1991, 1 85437 066 9
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Collected Edition of William Blake’s Illuminated Books: Vol. II: Songs of Innocence and Experience 
series editor David Bindman, edited by Andrew Lincoln.
Tate Gallery, 210 pp., £39.50, August 1991, 1 85437 068 5
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Collected Edition of William Blake’s Illuminated Books: Vol III: The Early Illuminated Books 
series editor David Bindman, edited by Morris Eaves, Robert Essick and Joseph Viscomi.
Tate Gallery, 288 pp., £48, August 1993, 1 85437 119 3
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Collected Edition of William Blake’s Illuminated Books: Vol. IV: The Continental Prophecies: America, Europe, The Song of Los 
editor David Bindman, edited by D.W. Dörbecker.
Tate Gallery, 368 pp., £50, May 1995, 1 85437 154 1
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Collected Edition of William Blake’s Illuminated Books: Vol. V: Milton, a Poem 
series editor David Bindman, edited by Robert Essick and Joseph Viscomi.
Tate Gallery, 224 pp., £48, November 1993, 1 85437 121 5
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Collected Edition of William Blake’s Illuminated Books: Vol. VI: The Urizen Books 
 editor David Bindman, edited by David Worrall.
Tate Gallery, 232 pp., £39.50, May 1995, 9781854371553
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... caught any of Alan Bennett’s Westminster Abbey footage? Bennett, required to audition for the John Betjeman slot, couldn’t bring himself to deliver much more than formulaic world-weariness, a drone like a miraculously articulate David Hockney impersonator. Jonathan Meades does this schtick so much better, performs himself with lip-smacking ...

Colony, Aviary and Zoo

David Denby: New York Intellectuals, 10 July 2025

Write like a Man: Jewish Masculinity and the New York Intellectuals 
by Ronnie A. Grinberg.
Princeton, 367 pp., £30, May 2024, 978 0 691 19309 0
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... John Reed,​ witness to the October Revolution and author of Ten Days that Shook the World, seems to have turned against the Bolshevik leaders just before he died in Moscow in 1920. His apostasy was not publicly known, however, and a decade later the American Communist Party, eager to exploit his fame, encouraged the formation of John Reed Clubs in New York and other cities ‘to bring closer all creative workers ...

Places Never Explained

Colm Tóibín: Anthony Hecht, 8 August 2013

The Selected Letters of Anthony Hecht 
edited by Jonathan Post.
Johns Hopkins, 365 pp., £18, November 2012, 978 1 4214 0730 2
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... to what other writers were doing about the war. In 1943, after reading a story about the army by John Cheever in the New Yorker, he wrote to Mackie: ‘The trouble with writing a story about the army is this: people expect something to happen in a story (Cheever supplied things, lots of things); but the whole point of the army is that nothing ever does ...

Francis and Vanessa

Peter Campbell, 15 March 1984

Francis Bacon 
by Michel Leiris, translated by John Weightman.
Phaidon, 271 pp., £50, September 1983, 0 7148 2218 3
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Vanessa Bell 
by Frances Spalding.
Weidenfeld, 399 pp., £12.95, August 1983, 0 297 78162 6
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The Omega Workshops 
by Judith Collins.
Secker, 310 pp., £15.95, January 1984, 0 436 10562 4
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The Omega Workshops 1913-1919: Decorative Arts of Bloomsbury 
Crafts Council, 96 pp., £6.95, March 1984, 0 903798 72 7Show More
The Omega Workshops: Alliance and Enmity in English Art 1911-1920 
Anthony d’Offay Gallery, 80 pp., £4.95, February 1984, 0 947564 00 4Show More
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... a panel. He was not in sympathy with the craft-based medievalism of the direct heirs of Ruskin and Morris in the Arts and Crafts movement: he employed joiners and fabric printers to carry out the artists’ designs, and had no objection to second-hand furniture being bought in for painting-up. But attention is not being given to Omega simply because it has ...

Grandma at home

Lorna Sage, 4 November 1993

... even in a world where couples get to know each other first. Hilda Thomas and Thomas James Meredith-Morris, back then in decorous 19 –, wouldn’t have been very well acquainted. In that, of course, they were simply figures of their generation. What made their marriage more than a run-of-the-mill case of domestic estrangement was her refusal to accept her ...

Balfour, Weizmann and the Creation of Israel

Charles Glass: Palestine, 7 June 2001

One Palestine, Complete: Jews and Arabs under the British Mandate 
by Tom Segev, translated by Haim Watzman.
Little, Brown, 612 pp., £25, January 2001, 0 316 64859 0
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Ploughing Sand: British Rule in Palestine 1917-48 
by Naomi Shepherd.
Murray, 290 pp., £12.99, September 2000, 0 7195 6322 4
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... Zionism by a new generation of Israeli historians – among them Ilan Pappe, Avi Shlaim and Benny Morris – whose work is now entering the mainstream. In a sense, by focusing on the Mandate, Ploughing Sand and One Palestine, Complete are considerations of Israel’s debt to the British and Britain’s injury to the Arabs. Shepherd writes that ‘British rule ...

Hubbub

Nicholas Spice, 6 July 1995

Repeated Takes: A Short History of Recording and its Effects on Music 
by Michael Chanan.
Verso, 204 pp., £39.95, May 1995, 1 85984 012 4
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Elevator Music: A Surreal History of Muzak Easy Listening and other Moodsong 
by Joseph Lanza.
Quartet, 280 pp., £10, January 1995, 0 7043 0226 8
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... of silence. I was recently struck by this relationship of music to silence when I saw the Mark Morris Dance Group perform ‘Neue Liebeslieder Walzer’ to the music of Brahms. At the end of the work, when the dance has subsided into a circular tableau of figures sleeping in the shadows, at the precise moment when the sound of the last note is about to ...

Baudelairean

Mary Hawthorne: The Luck of Walker Evans, 5 February 2004

Walker Evans 
by James Mellow.
Perseus, 654 pp., £15.99, February 2002, 1 903985 13 7
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... retrospective in 2000, contains additional valuable information and perspective; of note are Maria Morris Hambourg’s reading of the development of Evans’s early aesthetic sense and Jeff Rosenheim’s detailed study of Evans’s work in the South. Taken together, these contributions work to fill in the vague outlines of one of the most important American ...

Le Roi Jean Quinze

Stefan Collini: Roy Jenkins and Labour, 5 June 2014

Roy Jenkins: A Well-Rounded Life 
by John Campbell.
Cape, 818 pp., £30, March 2014, 978 0 224 08750 6
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... the dreams that attached themselves to him. In choosing ‘a well-rounded life’ as his subtitle, John Campbell risks some obvious jibes about his increasingly portly subject, but he delivers on its promise. It is a persuasive, if at times indulgent, portrait of a life rich in satisfactions. At its heart were a long, close marriage and three children, to ...

It’s already happened

James Meek: The NHS Goes Private, 22 September 2011

... the private sector sets aside for corporate sheen, although it does have a museum dedicated to John Charnley, who, almost half a century ago, pioneered the popular benchmark of the NHS’s success or failure, the hip replacement operation. They still do hips at Wrightington, and knees, and elbows, and shoulders. They deal with joint problems that are too ...

He shoots! He scores!

David Runciman: José Mourinho, 5 January 2006

Mourinho: Anatomy of a Winner 
by Patrick Barclay.
Orion, 210 pp., £14.99, September 2005, 0 7528 7333 4
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... fighting for an approving glance from their favourite teacher. Barclay turns to Desmond Morris to explain what is going on here, citing the Chelsea players’ body language as evidence that some profound human forces are at work – not just ‘respect’, not just ‘camaraderie’, but something like ‘love’. This may be overstating ...

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