War Requiems
David Drew, 12 October 1989
“... the Leonora No 3 Overture, or the redoubtable equanimity with which Lukas Foss opened the concert by conducting Mahler’s ‘Revelge’ for Hermann Prey (with televisual reference to the doomed Polish cavalry of 1939) and then confronted the fiendish reveilles of Schoenberg’s A Survivor from Warsaw. Yet the most characteristic and memorable images were of ... ”