Englishing Ourselves

F.W.J. Hemmings, 18 December 1980

Stendhal 
by Robert Alter.
Allen and Unwin, 285 pp., £8.95, May 1980, 0 04 928042 2
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... steam-propelled paddle-boat was launched on the waters of a French river. He met and talked to Byron, he knew and corresponded with Balzac, he had an affair with one of Delacroix’s mistresses: in this way, if in no others, he was caught up in that other revolution, European romanticism. But he was for ever on the sidelines, an interested spectator, never ...

Odd Union

David Cannadine, 20 October 1994

Mrs Jordan’s Profession: The Story of a Great Actress and a Future King 
by Claire Tomalin.
Viking, 415 pp., £18, October 1994, 0 670 84159 5
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... actress of her day – adored by theatre-goers in London and the provinces; acclaimed by Hazlitt, Byron and Coleridge; cartooned by Gillray, Cruickshank, Rowlandson and Dent; and portrayed by Romney, Beechey, Hoppner, Matthew Peters and John Russell. Nor has she been entirely forgotten by posterity. To be sure, she was not even mentioned by name in Percy ...

Creepy

Gerald Howard, 18 July 1996

Secret Life 
by Michael Ryan.
Bloomsbury, 352 pp., £7.99, February 1996, 0 7475 2545 5
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... movement. Over-eaters, over-shoppers, over-workers – everyone has their confessional niche. Byron famously remarked that ‘Augustine in his fine Confessions makes the reader envy his transgressions’; no such envy is likely to arise from reading Ryan’s accounts of his joyless couplings. He reached his lowest point when he found himself driving ...

That’s Liquor!

Nick James, 7 March 1996

Leaving Las Vegas 
directed by Mike Figgis.
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... places where a bottle can be concealed. The angel may tidy up and offer support, as Kathleen Byron does to David Farrar in The Small Back Room, telling him to ‘have a drink’ from the unopened bottle of Scotch which was 20-feet tall and toppling towards him just before she came in. More often though, she will have given up and drifted away, leaving ...

Master of the Revels

Benjamin Markovits: Miklós Bánffy’s Transylvanian Trilogy, 14 November 2002

They Were Counted 
by Miklós Bánffy, edited by Patrick Thursfield and Kathy Bánffy-Jelen.
Arcadia, 596 pp., £12.99, March 1999, 9781900850155
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They Were Found Wanting 
by Miklós Bánffy, edited by Patrick Thursfiled and Kathy Bánffy-Jelen.
Arcadia, 470 pp., £12.99, June 2000, 9781900850292
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They Were Divided 
by Miklós Bánffy, edited by Patrick Thursfield and Kathy Bánffy-Jelen.
Arcadia, 326 pp., £11.99, August 2001, 1 900850 51 6
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... implacable in revenge, yet capable of deep and strong affection’. Bánffy is the kind of writer Byron himself might have enjoyed: ‘Men of the world, who know the world like men,/Scott, Rogers, Moore, and all the better brothers,/Who think of something else besides the pen.’ Bánffy thinks of a great many other things, which the novels reveal through the ...

Creases and Flecks

Laura Quinney: Mark Doty, 3 October 2002

Still Life with Oysters and Lemon 
by Mark Doty.
Beacon, 72 pp., $11, January 2002, 0 8070 6609 5
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Source 
by Mark Doty.
Cape, 69 pp., £8, April 2002, 9780224062282
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... Luminism’, ‘Letter to Walt Whitman’ (alluding to Auden’s ‘Letter to Lord Byron’), ‘Paul’s Tattoo’ (alluding to ‘Tattoos’ in James Merrill’s sequence ‘Peter’), ‘An Island Sheaf’ (alluding to Hart Crane’s Key West: An Island Sheaf), ‘Summer Landscape’, ‘Lily and Bronze’, ‘After the ...

Don’t lock up the wife

E.S. Turner: Georgina Weldon, 5 October 2000

A Monkey among Crocodiles: The Life, Loves and Lawsuits of Mrs Georgina Weldon 
by Brian Thompson.
HarperCollins, 304 pp., £19.99, June 2000, 0 00 257189 7
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... Georgina turned out to be very different from the typical pouting, lisping English miss who, as Byron complained, always smelled of bread and butter. She was both beautiful and bold in manner, almost hoydenish, and early aware of how to tickle the lusts of elderly gentlemen without satisfying them. Her good soprano voice gave her, and her father, the ...

Enfield was nothing

P.N. Furbank: Norman Lewis, 18 December 2003

The Tomb in Seville 
by Norman Lewis.
Cape, 150 pp., £14.99, November 2003, 0 224 07120 3
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... escapes’ – the very things which, for good or evil, Evelyn Waugh and Peter Fleming and Robert Byron, not to mention Redmond O’Hanlon, assume to be the heart of travel writing. This leads us to the reflection that travel writing, or anyway the best sort, only pretends to be informative. The author, out of self-respect, and by mugging up or other ...

Watermonster Blues

William Wootten: Edwin Morgan, 18 November 2004

Edwin Morgan: Inventions of Modernity 
by Colin Nicholson.
Manchester, 216 pp., £40, October 2002, 0 7190 6360 4
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Beowulf 
translated by Edwin Morgan.
Carcanet, 118 pp., £6.95, November 2002, 1 85754 588 5
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Cathures 
by Edwin Morgan.
Carcanet, 128 pp., £6.95, November 2002, 1 85754 617 2
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... His talent for imitation and pastiche has given rise to passable impersonations of Shelley, Byron, Joyce and MacDiarmid; it has also allowed him to transcribe the sentiments of animals, aliens, waking mummies, monsters and computers. The attempt to make a strange time and tongue communicate is supremely Morganish behaviour. But Beowulf has a rather more ...

A Very Smart Bedint

Frank Kermode: Harold Nicolson, 17 March 2005

Harold Nicolson 
by Norman Rose.
Cape, 383 pp., £20, February 2005, 0 224 06218 2
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... like shooting, and pursuing gazelles in motor cars. He rapidly wrote books on Verlaine, Swinburne, Byron and Tennyson, always justifiably anxious about their reception in the Bloomsbury circle (where his friendships were generally uneasy), and always keen that they should make money. The moment came when he had to choose between two uncertain futures. Part of ...

Fellow Genius

Claude Rawson, 5 January 1989

The Poems of John Oldham 
edited by Harold Brooks and Raman Selden.
Oxford, 592 pp., £60, February 1987, 0 19 812456 2
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... flair in his rakish poems). Nor does it resemble the supple and disciplined sweep of Pope’s or Byron’s conversational verse. It’s both animated and plain, a putting down in the sense of efficient notation as well as of satirical flattening, deceptively simple but uncommon. It is found again perhaps in the opening of Swift’s ‘Legion Club’ and in ...

The Past’s Past

Thomas Laqueur, 19 September 1996

Sites of Memory, Sites of Mourning: The Great War in European Cultural History 
by Jay Winter.
Cambridge, 310 pp., £12.95, September 1996, 0 521 49682 9
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... Their profound distrust and ironic disdain of the Home Front, for example, is anticipated in Byron (‘He fell, immortal in a bulletin’) or Coleridge (‘Secure from actual warfare, we have loved / to swell the war-whoop, passionate for war!’). There are, as has been often noted, reverberations of Shelley in Owen or of ...

‘You can have patience or you can have carnage’

Charles Glass: In Afghanistan, 18 November 2004

... most of them clothed in traditional sharwal khameez and jaunty turbans. ‘Now and then,’ Robert Byron wrote in 1933, ‘a calico beehive with a window at the top flits across the scene. This is a woman.’ Contemporary Kabul is closer to Byron’s description than to a 1977 guidebook’s city of ‘mini-skirted ...

It Just Sounded Good

Bernard Porter: Lady Hester Stanhope, 23 October 2008

Star of the Morning: The Extraordinary Life of Lady Hester Stanhope 
by Kirsten Ellis.
HarperPress, 444 pp., £25, August 2008, 978 0 00 717030 2
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... conversation, as was just about everyone else who was privileged to hear it. Even the misogynistic Byron, who met her in Athens in 1810, didn’t deny it, though it seemed only to confirm his disapproval of ‘that dangerous thing, a female wit’. What was so remarkable about her conversation? Apparently, she talked interm-inably – for six to eight hours ...

The Audience Throws Vegetables

Colin Burrow: Salman Rushdie, 8 May 2008

The Enchantress of Florence 
by Salman Rushdie.
Cape, 356 pp., £16.99, April 2008, 978 0 224 06163 6
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... who swears too much at not quite the right times in order to show how manly he is. He isn’t, as Byron said of Keats, always frigging his imagination, but he often can’t stop himself from violating it. And this goes along with the instincts of a parodist, which lead him to invoke an earlier text (often one to which he is to a deep degree indebted) by means ...