“... position that the wish to humiliate is part of everyone’s survival kit: our (often preferred) self-cure for the inevitable frustrations of our own childhood. There is something intrinsically and unavoidably humiliating about being a child. Every child has felt humiliated by his dependence on his parents – by his relative powerlessness in relation to the ...”

“... Badgers, published last year, also has a West Country setting (frankly Devonian), not to mention a self-consciously pretty town trying to set itself apart from a larger settlement nearby, disowning any connection with a hinterland where things aren’t so pretty.* The role taken by the parish council in Pagford is played, more sinisterly and with greater ...”

“... TV marks his exile from the new world of foreign electronics and, according to his grief-driven, self-absorbed logic, makes him complicit in the death of his sons. They are dead, his aria goes, because he is a failed filmmaker, or because he was too cowardly to leave the family manse and try his luck in Bombay, or because the IT boss across the street has a ...”

“... The taboo on graffiti reflects characteristically modern ideologies of cleanliness and bodily self-control. The taboo on marginalia, however, reveals a new model of reading. Our culture celebrates receptivity, a willingness to be marked by texts; in early modern England, though, this would have looked more like passivity, a failure to make a mark. In the ...”

“... dramatises, sometimes ostentatiously, the profound obstacles to communication – the wall between self and other, the rattle of consciousness – that confront everyone: ‘I remembered mishearing Ringling Bros. Barnum & Bailey Circus as a child. Barnamum Bailey. Like Osmium, Cardamom, Brainium, Barnamum, Where’smymom … Not now, I begged my Tourette’s ...”

“... he is permanently marooned among the savages. Tom Brodzinski, the protagonist or victim of Will Self’s satirical nightmare The Butt, meets a comparable fate. On holiday on an imaginary post-colonial island continent, Tom decides to give up smoking, and, distracted by the sense that for once he is ‘Doing the Right Thing’, flicks his final fag-end from ...”

“... One could even, metaphorically, call it an ‘explorer’ narrative, for it is partly a work of self-exploration. It seems to help, though, if we narrow our definition of ‘travel book’ or ‘travel writing’ so as to exclude real and literal explorer narratives – such a book, shall we say, as Mungo Park’s Travels. It is a memorable book, but Park ...”

“... in 1904 and sank without trace. Then, in 1980, 43 school exercise books, laboriously written in self-taught French and studded with Breton words and turns of phrase, were produced miraculously intact by Déguignet’s descendants in response to a newspaper appeal by a local history project. From them, local historians derived a continuous narrative, and the ...”

“... inventive and ingenious ways. The novel’s more complex narrative structure, and its passages of self-consciously lyrical prose, make it both easier and more difficult to read than Triomf. Significantly, given the growing prominence of Afrikaans women writers and their increasingly well-articulated insights into the relationship between race, gender and ...”

“... by pop’. Until J. goes for the record (a gesture we are to see as simultaneously subversive and self-defeating), no one else had ‘given a fuck’, which is why they were put on the List in the first place. For all the supposed power of larger and unknowable mechanisms and forces, the junketeers and their dupes are presented as culpable; the satiric ...”

“... the social obligations of the nobility; the compromises of the Austro-Hungarian Empire, the fatal self-obsession of the Budapest Parliament, the in-fighting of the political parties, the need for peaceful intervention in the Balkans; the social politics of the hunt, the latest fashions in dress and in shooting, the Hungarian predilection for all things French ...”

“... another man he marries a woman he doesn’t love and goes into exile on Cape Wrath. His bitter self-denial sows the seeds of his monstrous double life: after meeting Molly again in London by chance, he spends two months every year with her. Silver’s search for a story – and an identity – ends up with this Victorian melodrama at its centre. In her ...”

“... as opponents. His first book on the subject, Policing Shanghai 1927-37 (1995), described the self-subverting involvement of the new Kuomintang government’s municipal police bureau in both the opium trade and the civil war against the Communists. The Shanghai Badlands: Wartime Terrorism and Urban Crime 1937-41 (1996) carried the story into the period of ...”

“... But his most potent influence lay in his reconfiguring of the domestic ideal. The concept of a self-contained suburban home, with a spacious garden and accommodation laid out without physical divisions between the resident family and its servants, had its origins in Pugin’s work. Such a house, as Pugin envisaged it, must function as a coherent ...”

“... repertoire of tricks and mannerisms that were ‘almost caricatures, some of them, of his natural self’, rather than expressions of the character he was playing. He was, in short, a ham, and a self-centred one at that. (When Ellen Terry suggested that she might defy convention and wear black rather than white in ...”