Music without Artifice
Peter Phillips: Tomás Luis de Victoria, 15 December 2022
“... work is universally described as the crown of all the works of the master’. By the time of Robert Stevenson’s Spanish Cathedral Music of the Golden Age (1961), ‘the master’ had become ‘a great genius’. Evidence of actual performances also began to increase, particularly in France, where Charles Bordes, basing his edition on Haberl’s and ... ”