“... I once received this stern admonition from an English editor: ‘If you intend to be a Japanese novelist whom we are translating into English, okay – I accept your manuscript as it is and will get on with publication. But if you wish to be considered an English writer, then you must rewrite. Don’t narrate to us, show us. And-then-and-then is not the way we want a story told ...”

“... to dwell on the mixture of manners, the ‘tension between the styles’. Everett suggests that Robert Hitchens’s Bella Donna, a bestseller which figures in the Thompson-Bywaters case of 1922 – a fine English murder – was one of Eliot’s sources, and that he had been reading Gentlemen prefer blondes and Ring Lardner, here described with some ...”

“... higher. In 1949 the combination of a small legacy, frustration at Putnam, and my friendship with Robert Kee, led to the founding of the firm that bore our names, with my wife as literary director. I soon discovered, though, that my temperament is not that of a loner, and seven years later, when the time had come to raise new capital (an aspect of business I ...”

“... lucid patience and justice, has done nothing better. To bring out three books on the same day, as Robert Lowell knew when he promulgated History, For Lizzie and Harriet and The Dolphin, is to ask for comparisons, indeed to cry out for them when some of the work is old, some new – and the more so when, as in Hinde’s case, each book costs the same to the ...”

“... that ‘no account at all’ was taken of the influence on Warburg of the aesthetics of Friedrich Robert Vischer, when Gombrich devoted four pages to this very subject? Whatever his motives, the inclusion of this piece at least shows the severe standards by which he expected to be judged. Although Wind’s own approach to Renaissance art is often described as ...”

“... In the meantime, however, the United Irishmen were pushed back into self-reliance, manifested in Robert Emmet’s attempted insurrection of 1803. Elliott gives this as much space as Hoche’s expedition, though it had no concrete connection with France. Like the rest of her book, apart from broad-ranging introductory and concluding chapters, this account is ...”

“... seems to have compensated satisfactorily by surrounding herself with stage celebrities (including Robert Helpmann and Frederick Ashton), by indulging in amateur dramatics, and by amusing her family with assorted comic turns, such as a belched version of ‘God Save the King’. Even as a tot, George stuck close to her sophisticated, largely homosexual ...”

“... fascinating to the casual observer? They are in the same comic position as the plumbers in one of Robert Dhéry’s films, who stalk backstage through hordes of stark-naked showgirls without paying them the slightest heed while talking about nuts and bolts. In Jour de Fête, the postman played by Jacques Tati is entranced by the idea of Americanisation of the ...”

“... United States. It was a year of political disaster. Nixon became President; Martin Luther King and Robert Kennedy were both assassinated. But for Dummett things were even worse at home. He was ‘deeply involved in work to combat that racism which has, over the past fifteen years, disfigured our national life and dishonoured our country’, and in 1967 the ...”

“... heroes from history, toilet articles and rival makes of bicycle’. In the ‘Good’ list were Robert Burns, Amundsen, and the Raleigh. My family favoured the counterparts from the ‘Bad’ list: Sir Walter Scott (‘would-be aristocrat, eventual bankrupt’), Captain Scott (‘English gent who took ponies, came second, died’), and the BSA. Deep ...”

“... explicitly excluded. William Byrd becomes indistinguishable, not only from Gustav Holst, but from Robert Browning and John Martin. The serpentine line of Hogarth, the bounding line of Blake – each disappears into the other; the line of music and the line of art merely repeat each other, so that Hogarth, who was entirely sceptical of accounts of visual ...”

“... He’s the one great epic novelist of the revolution to come that never came.’ ‘All of a sudden, after the war, his novels seemed to me to have no literary value whatsoever,’ ‘I find them naff.’ ‘In L’Espoir he is immersed in the action and that makes his art great,’ ‘He was a fake: he always pretended to be what he was not.’ ‘He was in love with danger, with adventure,’ ‘He was one of the most religious men I ever met ...”

“... than two hundred Party-linked or sympathetic periodicals. By far the most successful of these were Robert Blatchford’s Clarion and A.R. Orage’s New Age. The Clarion’s pitch was working-class and almost aggressively non-intellectual – entirely unlike anything Shaw or the Webbs might wish to emulate. If the early Statesman had a model, it was the ...”

“... negatively, as the stereotypical bug-eyed monsters bent on conquering Earth.’ So much for Robert Heinlein’s Star Beast, Brian Aldiss’s The Dark Light-Years, Arthur C. Clarke’s Childhood’s End, and a dozen other classics. Nimoy doesn’t pretend to be a scholar and he is not obliged to research his own historical background. But is there not a ...”

“... Hearst’s general antipathy to it, so did contemporary music, in Promenade seasons programmed by Robert Ponsonby and in the regular Music in Our Time series produced by Stephen Plaistow. Jointly, they commissioned a string of masterpieces. To my memory it all seems a golden age; an age of golden voices, too, of announcers whose soothingly impersonal ...”