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“... English landscape’, with all that followed in terms of a settling of accounts with Constable and Turner, and Blake and Palmer, and Crome and the watercolourists and Ford Madox Brown, was at all compatible with being a painter ‘in the 20th century’. The pressure of this last question – or indeed of all three – is not to be collapsed into shorthand of ...”

“... Others, such as Nelson Algren (the director of its Illinois branch), Conrad Aiken, Saul Bellow and John Cheever, had already begun to make their reputations. Studs Terkel would find his calling when the FWP sent him out onto the streets of Chicago to collect oral history. Most striking was the impetus given to the careers of black authors: Zora Neale ...”

“... mathematics. Understanding colour, the play and manipulation of light, were of as much concern to Turner as to Davy, whose article on the analysis of paint ‘used by the ancients’ appeared in the same magazine as Keats’s ‘Ode on a Grecian Urn’. The panorama, Daguerre’s diorama and the kaleidoscope were the novelties of early 19th-century London and ...”

“... its nature always mutable. There was no crisis from which it did not emerge invigorated. John Nash designed Piccadilly Circus as a rond-point for his great picturesque town plan leading up Regent Street to the Regent’s Park. The view south was to culminate in the Prince Regent’s Palace at Carlton House. Long before the work was ...”

“... imagination Carter may perform, she always comes to rest in the right ideological position,’ John Bayley wrote in a notoriously slighting 1992 review: the ballet idea works well, but otherwise he’s a bit tin-eared. A ‘moral pornographer’, Carter called herself sometimes; she could also have called herself an ideological choreographer. It’s not ...”

“... work of MFA graduates and/or instructors), divided into three main groups: ‘technomodernism’ (John Barth, Thomas Pynchon), ‘high cultural pluralism’ (Toni Morrison, Sandra Cisneros) and ‘lower-middle-class modernism’ (Raymond Carver, Joyce Carol Oates), with Venn diagrams illustrating the overlap between these groups, and their polarisation by ...”

“... of its offices: ‘At this location, 122 Commerce Street, was a very large warehouse owned by John Murphey, who provided support to the slave traders in the city.’ ‘I would have preferred not to have the additional markers,’ the mayor confessed, ‘but I believe they are part of history.’ He agreed to allow them, he said, because they would ...”

“... sharpened their national consciousness into radical activism. They included Russel Ward, Ian Turner and Bob Gollan, who were all Communists when they embarked on their careers. Their influence on Australian history was perhaps even greater than that of their British equivalents, Hill, Thompson, Hobsbawm and Rudé, since they were there at the beginning ...”

“... munitions going off. It therefore tried to shift the blame onto the Lusitania’s captain, William Turner, and also played up talk of a second torpedo. Both Ramsay and Preston are emphatic, however, that the U-20 fired only once, and they broadly agree on what could have caused a single torpedo to sink a 30,000-ton liner in 18 minutes. In 1903, Cunard had been ...”

“... maybe more than just as an editor. His narrative is entirely about being taken seriously by Elton John, Princess Diana, George Michael, Anthea Turner, Richard Branson, Paul McCartney, Patsy Kensit, Ian Botham, Jordan, Mohammed al Fayed, Cherie Blair, Alastair Campbell, Peter Mandelson and Tony Blair. (If there are names in ...”

“... disloyalty, ambition, greed, insecurity and all the British hypocrisies that he crashed into. John Preston has made the most of it, providing not only a very readable and amusing book but also the fullest account yet of what actually happened. Some of his sourcing could be clearer – there are rather vague appendices and no footnotes – but he is ...”

“... peglegs: all press-ganged upstream with Adam Dalgleish’s impersonator, Roy Marsden, for the Long John Silver show at the Mermaid. James is left with a heritage trail of selective quotations, a London Dungeon of waxwork crimes exhibited in authentic locations. This is an empty set, a set defined by its architecture (where even Mandy the Temp, in her ...”

“... The feeling that the new Labour leaders ‘just don’t get it’ deepened. But the true key-turner was Big Eck, cunning Salmond himself. He is not reneging on the SNP’s independence commitment, or cloaking it in vagueness. Instead, he has repackaged it and put it in a basket with other shiny ambitions: Scotland as world leader in renewables, a new tax ...”

“... rework – had the dubious merit of having once painted stormy waves over a calm harbour scene by Turner. Ned did well enough at school to be allowed to study classics, and his classmates became his first real friends. He was attracted to religious ceremony, and arrived at Oxford in 1853 a fervent Tractarian: he dreamed of following in the footsteps of ...”

“... what it was. The Victorian civic elite was taught by the Romantic histories of Hallam, Lingard and Turner to see the free-roaming, self-governing Saxon tribes as their antecedents. Having endured the tyranny of the rapacious Normans and the absolutism of the Stuarts, in the Victorian era the Saxon witenagemot mystically rose again in the form of city council ...”