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“... James Bond was a well-known ornithologist. His Birds of the West Indies is an unusually rich source of names. According to Bond, the Sooty Tern is also known as the Egg Bird; Booby; Bubí; Hurricane Bird; Gaviota Oscura; Gaviota Monja; Oiseau Fou; Touaou. But when the keen birdwatcher Ian Fleming needed a name that sounded as ordinary as possible, he had to look no further than the title page of Bond’s great work ...”

“... Robert Montgomery during Chandler’s lifetime, and afterwards by Elliot Gould, Robert Mitchum and James Garner. He was the hero of the most listened to radio detective serial in history, and, by the time Chandler died in 1959, had sold over five million books. The private eye was the wilderness hero moved to the urban frontier, alone and unattached, living ...”

“... might be short, his art matured at hectic speed. Its roots were among the Pre-Raphaelites. Burne-Jones was an early champion and the dishevelled androgynous figure in Withered Spring, a drawing of 1891, has the heavy, sensuous eyes and mouth of Jane Morris. A year later, in Incipit Vita Nova, they had gone. An impassive female head with closed eyes faces a ...”

“... shared no man’s land seems oddly larger than the territory disputed. The opening move was Ernest Jones’s three-decker monument (1953-57), and his successors make us choose a Freud, as if to write this life without a case to prove were impossible. If we need more lives of Freud it is because there is safety in numbers, but the evidential burden tends to ...”

“... Soane was born in 1753, the son of a Berkshire bricklayer. At 15 he met a London architect, James Peacock, who was closely associated with George Dance, architect to the City of London. Dance gave Soane a place in his household. After three or four years he left Dance for Henry Holland, from whom he learned more of the business side of building and on ...”

“... his gift for showmanship and his Paris education to make himself the prototype Victorian aesthete, James McNeill Whistler had started out as a dutiful son, following his father to West Point before turning his back on the Army to pursue the artist’s life in Paris. He arrived there in 1855, at the height of the craze for the vie de bohème, and like many ...”

“... be very high. So, predictably enough, it has been with the United Nations. Readers approaching James Traub’s and Stanley Meisler’s books thus have reason to expect the worst. In some ways the expectation is amply fulfilled, but in others the two books – each by a journalist – cast more light on the UN than is normally allowed to fall on it. The ...”

“... In Henry James and the Art of Dress (2001), Clair Hughes gave us a beautifully judged view of James’s delicate way with garments. She showed that he was capable of conveying the effect of an entire ensemble in a few well-chosen words, and of accurately rendering the way dress affects feeling ...”

“... by the index. There’s Bette Davis and Joe Davis and Sammy Davis Jr. There’s Basil Dean and James Dean, Jack Warner of Dock Green and Jack Warner of Hollywood. Jayne Mansfield lines up alongside Mantovani, and Field-Marshal Viscount Montgomery is discovered between Maria Montez and Dudley Moore. Kim Novak and Ivor Novello are neighbours, but then so are ...”

“... seductively in his recent memoir, Between the World and Me. Formally modelled on the first part of James Baldwin’s The Fire Next Time, the book is addressed to Coates’s teenage son, Samori, on the occasion of the non-indictment of Brown’s killer, a white police officer called Darren Wilson. ‘We are captured, brother, surrounded by the majoritarian ...”

“... let alone her 13-volume novel Pilgrimage, whose experimental narrative anticipated those of James Joyce and Virginia Woolf. It’s an odd conjunction: on the one hand, Joyce and Woolf; on the other, Dorothy Richardson, Modernist, struggling to light a recalcitrant wood stove or wearing galoshes to cook breakfast in a flooded kitchen. In the Twenties and ...”

“... are not long sentences, purring and humming, those magnificent oceangoing structures launched by James or Mann or Proust: they are sentences that have forgotten to stop. Anyone who has seen elderly, broken-backed dachshunds being walked in parks with rollerskates supporting their middles will get the picture, but there are no rollerskates here. It may be ...”

“... the place of traumatic origin overlap only notionally. Those are not the only possible Vietnams: James Carver, the central character of ‘The Americans’, doesn’t want to experience at ground level a country he knew only from forty thousand feet as a bomber pilot. It’s his wife, Michiko, who wants to visit, convinced by Japanese relatives who had ...”

“... next door to Nijinsky at a club swimming-pool in Bar Harbor, the set-designer Robert Edmond Jones was surprised by a knock at the door: I open it. A middle-aged man stands there, exquisitely dressed in fastidious nuances of pearl grey which harmonise with the tones of his silvery, scented moustache. He is tall and willowy and his delicate hands are ...”

“... poetry with the way the names of places and characters are put to work in the writings of David Jones in order to see how purely poetic, how non-programmatic, how free from the whiff of the scholar’s midnight oil, are the topographic and mythological elements in MacLean’s work. Jones often intended to instruct his ...”