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An East Wind behind it

Barbara Everett: Farewell to ‘Hamlet’, 24 July 2025

... random. What is important, as Claudius leaves the court, is that the king, like some character in Henry James, now knows that Hamlet knows, and is armed. Perhaps more in need of notice are one or two elements that interfuse with dramaturgy, in the extraordinary brilliance of the work’s verbal style. The first occurs late in the play’s second ...

Cramming for Success

James Wood: Hardy in London, 15 June 2017

Thomas Hardy: Half A Londoner 
by Mark Ford.
Harvard, 305 pp., £20, October 2016, 978 0 674 73789 1
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... relatively unsophisticated architect’s assistant, a new arrival in London from the country; and Henry Knight, an established, opinionated lawyer deeply at home in literary London (he also reviews books). Hardy’s fiction repeatedly stages not only the multiple courting of a heroine (Jude the Obscure switches genders and agency), but the tense sociology of ...

A Preference for Strenuous Ghosts

Michael Kammen: Theodore Roosevelt, 6 June 2002

Theodore Rex 
by Edmund Morris.
HarperCollins, 772 pp., £25, March 2002, 0 00 217708 0
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... to 1909, has not exactly been neglected, but Nathan Miller’s 1992 biography was the first since Henry Pringle’s in 1931. Edmund Morris won a Pulitzer Prize in 1980 for The Rise of Theodore Roosevelt, a bestseller despite its 863 pages, and now he gives us the Presidential years in a svelte, eminently readable 772 pages. Some critics (mostly ...

Roman Fever

Sarah Perry, 26 September 2019

Malaria and Victorian Fictions of Empire 
by Jessica Howell.
Cambridge, 238 pp., £75, October 2018, 978 1 108 48468 8
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... for moving a plot briskly on. Howell examines the presence of malaria in the work of Dickens and Henry James, concentrating on Martin Chuzzlewit (1844) and Daisy Miller (1878). Both books were written before Ronald Ross proved, in 1897, that the malaria parasite was transmitted by the female mosquito’s bite rather than by miasma; each depicts the ...

Gide’s Cuttlefish

John Bayley, 17 February 2000

The Charterhouse of Parma 
by Henri B. Stendhal, translated by Richard Howard.
Modern Library, 688 pp., £20.95, January 1999, 0 679 60245 3
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... Cervantes? And yet there is a kind of dishevelled newness about them, as there is about La vie de Henry Brulard, Stendhal’s quasi-autobiography, which many consider his best work. But the great drawback of his technique, or lack of it, is precisely its unfinished and unfinishable quality. Nothing happens, nothing stops, nothing – artistically speaking ...

Mutual Friend

Richard Altick, 22 December 1983

Lewis and Lewis 
by John Juxon.
Collins, 320 pp., £10.95, May 1983, 0 00 216476 0
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... fashionable daytime assignation. And he repeatedly advised his friend the journalist-politician Henry Labouchère, whose exposés in his weekly paper Truth embroiled him in as many libel suits as Private Eye. Lewis’s practice reflected the changing coloration of British crime. If none of the activities attributed to his clients was really new, some ...

At the Pompidou

Alice Spawls: Twombly’s Literariness, 16 March 2017

... photograph of Twombly in Rome, standing by the hand of the colossus of Constantine. In 1778, Henry Fuseli drew himself crestfallen, seated by the foot and hand of the colossus, and called it ‘The artist moved to despair at the grandeur of antique fragments’. His figure – lightly sketched – is almost invisible beside the giant remnants of the ...

Cold-Shouldered

James Wood: John Carey, 8 March 2001

Pure Pleasure: A Guide to the 20th Century’s Most Enjoyable Books 
by John Carey.
Faber, 173 pp., £6.99, September 2000, 0 571 20448 1
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... who said horrible things about the plebeian Joyce, and about the girls who worked at Woolworths; James Kelman acted like a barbarian at the Booker dinner, and so on. Most of these commentators imagine themselves to be writing a form of intellectual history when they are only pouring gossip into fancy goblets at London book parties. They experience apparently ...

Hoogah-Boogah

James Wolcott: Rick Moody, 19 September 2002

The Black Veil 
by Rick Moody.
Faber, 323 pp., £16.99, August 2002, 0 571 20056 7
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... the memory of one’s spouse that gives adultery its dirty kick? (In a poem called ‘Adultery’, James Dickey, who knew whereof he spoke, concluded: ‘Guilt is magical.’) Why are ‘peccadillos’ deemed part of the devil’s handiwork? (Most peccadillos are as harmless as hobbies.) Is a belt easier to swipe than, say, a pair of cashmere socks or a bottle ...

Just William

Doris Grumbach, 25 June 1987

Willa Cather: The Emerging Voice 
by Sharon O’Brien.
Oxford, 544 pp., £22.50, March 1987, 0 19 504132 1
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... stories. Cather’s first novel, Alexander’s Bridge, was in the manner of her admired Henry James, but it did not please her, nor did it make any mark in the world of fiction. (Her earlier book of poetry, notable in no way, had been self-published.) At college and afterwards, she had written stories about pioneer life, but she saw no special ...

I now, I then

Thomas Keymer: Life-Writing, 17 August 2017

AHistory of English Autobiography 
edited by Adam Smyth.
Cambridge, 437 pp., £64.99, June 2016, 978 1 107 07841 3
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... self’. Later autobiographers drew on other models, customised in more or less knowing ways. John Henry Newman regretted ‘being obliged to adopt the language of books’ when describing his experience of evangelical conversion, as his feelings at the time ‘were so different from any account I have ever read’. Yet the conversion narrative as it emerged ...

Bringing it home to Uncle Willie

Frank Kermode, 6 May 1982

Joseph Conrad: A Biography 
by Roger Tennant.
Sheldon Press, 276 pp., £12.50, January 1982, 0 85969 358 9
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Edward Garnett: A Life in Literature 
by George Jefferson.
Cape, 350 pp., £12.50, April 1982, 0 224 01488 9
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The Edwardian Novelists 
by John Batchelor.
Duckworth, 251 pp., £18, February 1982, 0 7156 1109 7
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The Uses of Obscurity: The Fiction of Early Modernism 
by Allon White.
Routledge, 190 pp., £12, August 1981, 0 7100 0751 5
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... Hudson in the early years of the century, and, a generation later, counsellor to the 24-year-old Henry Green, who rewrote Blindness in accordance with Garnett’s advice, and many years later attributed to his adviser ‘almost any original idea’ he had gained about how to write novels. Yet it would be misleading to think of Garnett as the natural champion ...

All of Denmark was at his feet

John Sutherland, 12 May 1994

John Steinbeck: A Biography 
by Jay Parini.
Heinemann, 605 pp., £20, March 1994, 0 434 57492 9
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... does, somewhere between literary respectability and bestsellerdom: John O’Hara, Nelson Algren, James Jones, John Hersey. Parini declares in a fighting Afterword that answers to the Steinbeck question ‘spring to mind’. Clearly the answer which springs highest and most persistently is intellectual snobbery. Steinbeck’s low status is ascribed to the ...

Clytie’s Legs

Daniel Aaron, 2 May 1985

The Optimist’s Daughter 
by Eudora Welty, introduced by Helen McNeil.
Virago, 180 pp., £3.50, October 1984, 0 86068 375 3
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One Writer’s Beginnings 
by Eudora Welty.
Harvard, 136 pp., £8.80, April 1984, 0 674 63925 1
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The Collected Stories of Eudora Welty 
Penguin, 622 pp., £4.95, November 1983, 0 14 006381 1Show More
Conversations with Eudora Welty 
edited by Peggy Whitman Prenshaw.
Mississippi, 356 pp., £9.50, October 1984, 0 87805 206 2
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... are less likely than Faulkner’s to be snatched into a metaphysical empyrean. She doesn’t, as Henry James would say, ‘cultivate the high pitch and beat the big drum’. What interests her is not so much their existential dilemmas as their physical and moral landscape, the enclosing objects, in which she allows herself virtually to disappear: their ...

Mad to Be Saved

Thomas Powers: The Kerouac Years, 25 October 2012

The Voice Is All: The Lonely Victory of Jack Kerouac 
by Joyce Johnson.
Viking, 489 pp., £25, September 2012, 978 0 670 02510 7
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... a novel. He asked the inevitable questions and grimaced when she told him her favourite writer was Henry James. ‘He asked me if I rewrote a lot and said you should never revise, never change anything, not even a word. He regretted all the rewriting he’d done on The Town and the City. No one could make him do that again.’ Kerouac soon put Glassman in ...

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