Two Poems

Nick Laird, 18 November 2004

... Christian name was Matthew and his middle one was Thomas. Towards the end he commented that by his-self he’d made a sixth of the disciples, and forgone a life on the quest for the rest. And a good book. Or a decent cause. fear Laird Jnr was a tyke, a terrier. A nit-picker who grew to a hair-splitter, he was not so much scared of his shadow, as of its ...

McGahern’s Ireland

D.J. Enright, 8 November 1979

The Pornographer 
by John McGahern.
Faber, 252 pp., £4.95
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... and reassert ourselves, rejecting those foreign bodies as we sharpen and restore our sense of self’. But perhaps the sense of self is never sufficient, the roles never so secure as with Mavis and the Colonel. Perhaps what is missing is simply religious faith – which the Irish, always having had more of, always miss ...

Pretending to write ‘Vile Bodies’

Christopher Hitchens, 9 January 1992

Lost Property: Memoirs and Confessions of a Bad Boy 
by Ben Sonnenberg.
Faber, 217 pp., £14.99, November 1991, 0 571 16545 1
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... Idly turning over the stacks, I unguardedly exclaimed: ‘Golly. A whole big thing on Jewish self-hatred,’ ‘And that’s only volume one!’ he returned, fighting to control the look of wolfish conceit at such an easy score. I cursed inwardly. And now here is my revenge, ready to hand. In Lost Property, Ben does his best to get his truest friends to ...

At the Movies

Michael Wood: Bette Davis, 12 August 2021

... unloving wife because of their damaged youngest daughter. Davis meets the girl, an echo of her old self, when she returns to Jaquith’s facility, and effectively adopts her. This makes her Henreid’s wife in spirit without his getting a divorce. This is what she means by their having the stars. Henreid isn’t thrilled but knows he mustn’t argue. Davis ...

Alphabetophile

Michael Hofmann: Eley Williams, 7 September 2017

Attrib. and Other Stories 
by Eley Williams.
Influx, 169 pp., £9.99, March 2017, 978 1 910312 16 2
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Frit 
by Eley Williams.
Sad, 35 pp., £6, April 2017
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... mind is almost its own subject, where the place of narrative or character is mostly taken by the self-conscious or self-delighting mind, and where you yourself are put in mind of the quivery automatic graph-paper machines that register earthquakes or the humidity in museums (seismometers or hygrometers), is demanding to ...

At Tate Modern

James Attlee: ‘Picasso 1932’, 5 July 2018

... of the hang exactly as he arranged it in 1932. The bearded, pale, emaciated young artist in a self-portrait of 1901 looks down on a selection of portraits of his family: his future wife, the Russian ballerina Olga Khokhlova, in a painting from 1917, surrounded by images of their son, Paul, from the 1920s. On the opposite wall, three works hung together ...

Short Cuts

Paul Myerscough: Zidane at work, 5 October 2006

... interiority. In Zidane, the relentless scrutiny of his face yields little in the way of an inner self, still less anything that would help us to account for his sublime skill. We feel for him, but do not identify with him; he is alone, lonely even, and distant, other. Gordon’s film wouldn’t have been given a cinema release – his work is normally shown ...

At the Movies

Michael Wood: ‘An Autumn Afternoon’, 22 May 2014

An Autumn Afternoon 
directed by Yasujirō Ozu.
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... he has not remarried and his daughter is now merely the old maid who puts up with his drunken self-pity and barked commands. Our hero, Hirayama, played by Chishû Ryû, is being nagged by his friend to avoid this fate, and above all avoid this fate for his daughter; and he does, but he takes a long time to come to his decision, he doesn’t have any ...

At MoMA

Hal Foster: Cindy Sherman, 10 May 2012

... at large; yet sometimes too it seems to come from within. Here Sherman shows her subjects to be self-surveyed, but in a mode less of narcissistic absorption than of psychological estrangement. Thus in the distance between made-up woman and her mirrored face in Untitled Film Still #2 (1977), Sherman points to the gap between the imagined and actual ...

At the Movies

Michael Wood: ‘To Be or Not to Be’, 5 December 2013

To Be or Not to Be 
directed by Ernst Lubitsch.
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... they call me Concentration Camp Ehrhardt?’ A claim to fame, a piece of flattery, grounds for self-congratulation, a temporising tactic, and an instance of absurd life imitating absurd art: this is a lot of work for a single phrase to do, yet none of it encompasses or even looks at the meaning of the phrase. The camps just flicker there in the ...

Short Cuts

Mark Mazower: The Armenian Genocide, 8 April 2010

... that the archives in Istanbul have been opening up. Among the Turkish public at large, the old self-pitying, self-heroising patriotic myths remain entrenched. Popular literature and school textbooks paint a very misleading picture of what happened and help foment the sort of extremism that led to the murder of the ...

Short Cuts

Jenny Diski: Internet Misfit, 18 October 2007

... how the site is run and being used. Haughey’s original idea was that MetaFilter would be self-policing. Members themselves would keep the standard high and the crap out, by making it painfully clear in their responses when a post wasn’t good enough or a stupid comment was derailing the conversation. But it was always Haughey’s website and he had ...

At the Movies

Michael Wood: ‘Phantom Thread’, 22 February 2018

Phantom Thread 
directed by Paul Thomas Anderson.
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... ladies come and sew their days away, and sometimes their nights. Another fine scene shows the self-adulation of the industry. A woman with enough money to buy a Woodcock dress but not enough manners not to get drunk on her wedding night has her dress stripped from her as she snores. The formerly staring girl, now Woodcock’s model and ...

At the Barbican

Saul Nelson: Jean-Michel Basquiat, 4 January 2018

... Expressionist painting that a new generation has written all over, and a shameless piece of self-promotion: Basquiat was equalled only by Warhol in his ability to capitalise on the absurdity of the contemporary art scene. Complicating this is the narrative he brought as a black artist to American brands and products, many of them, like sugar and ...

At the Movies

Michael Wood: ‘Non-Fiction’, 7 November 2019

... played by Nora Hamzawi; various eating and drinking pals of theirs – are so resolute in their self-absorption, their unwillingness to listen to anyone else, least of all one another, that to assemble them amounts to criticism of a class. No one in this film is going anywhere. Their world may not even die; it could just be parked in a side street, like a ...