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“... of exile and the value of art. But Walcott doesn’t take comfort. In the title poem he explores self-accusingly the relationship between travel and betrayal. The speaker is a man who has attained a position of power in a Third World country, and who is used to being told: ‘You are so fortunate, you get to see the world.’ But seeing the world, we ...”

“... to the textbook view that John Locke’s contractual theory of government simply demolished Robert Filmer’s efforts at assimilating the authority of kings and fathers, Locke’s Two Treatises of Government did not drive patriachal ideas out of circulation. Indeed, it was Locke who was hardly read in the early 18th century: his ideas struck no ...”

“... so forth – and Geertz quickly became embroiled in a bitter losing battle to recruit his friend Robert Bellah, a sociologist of religion, which erupted into the gleefully malicious pages of several national newspapers. (Geertz quotes a ‘particularly enragé mathematician’ telling the director Carl Kaysen that ‘social science will be your ...”

“... connections between one episode and the next. Thrown among other people, he is revealed to be a self-satisfied fraudster, ‘a perfect little saint, insufferable, always merry, always friendly, always polite’, much like ‘those serial killers who … to everyone’s surprise, turn out to be good husbands, good fathers, good friends – it was a question ...”

“... It comes from encountering speech as an impenetrable wall – except it isn’t really, as Robert Frost knew. (He used the metaphor of people speaking through a wall, where you can discern the tone but not the words, in his ars poetica ‘The Sound of Sense’.)One could extract an entire book on Proust from Essays Two. When she agreed to translate Du ...”

“... around this time, ‘the sex appeal of the inorganic’. In his documentary The Century of the Self (2002), Adam Curtis argues that advertising co-opted psychoanalysis, and the same could be said of Surrealism – that advertising exploited its art of subliminal suggestion for the purposes of commercial persuasion. For Danchev this is no bad thing. He ...”

“... the camera), and because it showed to the full Karel Reisz’s sympathy for people who, in Robert Musil’s words, go out on an adventure and lose their way. This was a key element in all his films, whether they were set in Nottingham, London or Las Vegas. I think especially of the confused and manic Morgan in the film of that name, and of the driven ...”

“... is now writing a soon-to-be-bestselling crime novel with plenty of sex and murder. Her husband, Robert, often rudely called ‘Rob’ by unthinking friends, is a highly adapted commuting machine who works in Canary Wharf and times his drive to the station to perfection. She is interesting, he is not. And they have a child, Lanny, who is both interesting and ...”

“... querulous and troublesome dependents: the blind poet Anna Williams; the drunk and morose physician Robert Levet, commemorated by Johnson in a beautifully spare poem of 1782; a young black servant, Frank Barber, whom he sent to school at his own expense, and to whom he left a large sum of money; and the ‘surly slut’ Poll Carmichael, probably rescued from ...”

“... race.’ ‘This calm declaration of a dying man was so well calculated to do mischief,’ wrote Robert Southey, who was among the crowd that morning. It convinced Southey that ‘revolution must inevitably come, and in its most fearful shape.’ Many had arrived at the same conclusion. Through the 1790s, war with France had ground towards a costly and ...”

“... compared with later examples. In 1983, Elvis Costello’s poignant ‘Shipbuilding’ (sung by Robert Wyatt) was so sidelong a comment on the human costs and economic benefits of the Falklands War that you had to be told that’s what it was. I even have a sneaking sympathy for the campaign agent who chose Bruce Springsteen’s ‘Born in the ...”

“... Ada Kennard, a dancer in a three-women act that toured the music halls. His father was a Bob: Robert Moffat Livingstone, at different times a seafarer, a window cleaner and a stagehand. According to their son, the couple hadn’t wanted children. Then one night in September 1944, Bob ran out of condoms. The memoirist writes of his conception, ‘With ...”

“... to Montagu, this was no cause for alarm: the cost and ratio of raw footage to edited film for Robert Flaherty’s Man of Aran were similar. Because the film had to be sent back to Hollywood for processing, Eisenstein never had access to rushes; so he filmed more takes than he would have needed, just in case. Never having made a film before, the Sinclairs ...”

“... overreaching and distracting in the appreciation of the arts. The ‘principle’ of art being ‘self-reflective’, i.e. too much about itself, Ricks writes, ‘like all others, has always been tempted to escalate its claims, to make itself the one thing necessary, as if art’s own nature were the only thing with which art were ever occupied’. True ...”

“... of the value of scholarly knowledge to common life is given momentary substance. This largely self-educated bookseller’s son, scarred by scrofula, partially blind and deaf, afflicted by obsessive thoughts as well as a constitutional melancholy which he claimed made him ‘mad all his life, at least not sober’, prone to compulsive movements, rituals ...”