“... sources, more likely to cite Mao than Muhammad: in Afghanistan he was known for giving lectures on Robert Taber’s 1965 study of guerrilla movements, The War of the Flea, once a favourite of the IRA. Al-Suri, Lia writes, was ‘a dissident, a critic and an intellectual in an ideological current in which one would expect to find obedience rather than ...”

“... two essays, on the soul and on man, that showed a misanthropic worldview (society is rooted in self-preservation and violence, ‘pity is a forged sentiment’) and a readiness to mock the ignorance of scientific authorities while passing off familiar arguments as his own. The essays earned him notoriety, if not glory; Diderot and Voltaire wrote ...”

“... the country’s emerging counter-culture, including Allen Ginsberg, Jack Kerouac, LeRoi Jones and Robert Creeley. It also ran a selection of the early work of a maverick graduate student in English at the University of Tulsa, Ted Berrigan. Berrigan was soon accompanying Brainard and his fellow editors, the poets Ron Padgett and Dick Gallup, on their forays ...”

“... who were starting to take package trips to Benidorm instead – we, like the rest of the hardy self-improving lower middle classes, were bound for places where farmhouse bed and breakfasts cowered beneath looming ridges of wet, windswept heather, where there were ample supplies of fiddle music, and where every fishing village and handicrafts exhibition ...”

“... Motherwell), Cage was well placed to soak up ideas. He played chess with Duchamp, and befriended Robert Rauschenberg, whose notorious White Paintings – a series of rectangular canvasses painted plain white – have often been seen as the visual counterpart to 4’33”. Cage recognised that the ‘emptiness’ of Rauschenberg’s paintings was no such ...”

“... huge sums of money supporting the Nationalists. The Nazi regime was trying to make Germany as self-sufficient as possible through its policy of ‘autarky’, in preparation for the coming war in Europe. But it was short of important raw materials, many of which could be found in Spain. Franco and the Nationalists didn’t have enough hard cash to pay the ...”

“... adrift with her two children, evoked in the wastes of Aftermath. The memoir was criticised for self-pity: here anger has taken up all the space where pity might cling on. The production – and the text – set aside the restless to and fro debate and shared anguish about the depths of human suffering and especially women’s sufferings that keeps ...”

“... Cage watched the Happening unfold, his eyes were drawn towards a series of all-white canvases by Robert Rauschenberg that were pinned to the ceiling, and the idea of a piece without any ostensible ‘musical’ content was born. Cage’s increasing infamy through the 1950s was largely due to 4’33”, which premiered a few weeks after the Black Mountain ...”

“... interval between the horrors of the first half of the 20th century. The title is borrowed from Robert Graves and Alan Hodge, whose social history of Britain from 1918 to 1939, The Long Weekend, appeared in 1940, and it conjures up a sepia image of a tranquil Indian summer ‘in which the sun set slowly on the British Empire and the shadows lengthened on ...”

“... the Arno ‘for the umpteenth time’. What she wants to grasp is the moment that her 17-year-old self understood that you don’t have to decide – you don’t have to do something, you don’t have to slip into plot. You can throw postcards into the river in a gesture that says: ‘I toss it all up into the air. I want it, but I don’t want it ...”

“... the World!’Ghost hunting was a money-spinner between the wars, especially for the popular press. Self-styled investigators, often journalists, went on assignments to haunted houses, toting microphones and cameras, and other paraphernalia. Like other sensational stunts paid for by the papers, the stories were aimed largely at the rapidly expanding readership ...”

“... had urged me to tone down the offending sketch, particularly the erection/reaction gag but (rather self-righteously) I refused. There wasn’t much laughter that night in the rest of the show, which normally went by in gales of hilarity, but with the audience only concerned with what the Royal Party was thinking, much of it passed in awkward silence.It’s ...”

“... they were following, in some measure and according to their capacity, the brilliant example of Robert Graves, whose coming to maturity as a poet was a matter of saying a decisive ‘goodbye’ not only to the war but to all ghosts and rubbish (including cast-off language) that threatened the living. It was in 1930 that T.S. Eliot wrote in Criterion, with ...”

“... Lawrence found in him the combined perfections of the finest Classical statues, and Benjamin Robert Haydon wrote as enthusiastically about him as he did about the Parthenon Marbles. Having taken separate moulds of all parts of Wilson’s body, Haydon conceived of a bolder plan and had him enclosed in a box into which he poured seven bushels of plaster of ...”

“... contributed to the undermining of Britishness. One reason for this, as the Party’s historian Robert Blake comments, is that Tories have always tended towards English nationalism, enjoying electoral paramountcy in the Southern counties, but possessed of far less secure roots in the North or in Wales or in Scotland. Predictably, therefore, the recent ...”