At Tate Britain
Julian Bell: John Everett Millais, 15 November 2007
“... the stout middle-aged Millais can’t be dismissed as a bloated parody of his earlier skinnier self. Probably no career, on extended examination, could turn on quite such simple axes. In fact they show that the later manner represents an expansion of the artist’s reach. The Pre-Raphaelite Mariana is the sum of its parts, an interior sustained by ... ”