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“... and outside, temperate and tropical, man-made and natural. ‘A complex of few interweavings’ is Henry James’s curtly paradoxical summary of the Florida scene. Heavy, stagnant air and violent hurricanes. Paradisiac contentment and accesses of sudden panic. The strange recumbent crescent moons. The deep shadows in the daytime. The snuffling or crisping ...”

“... the little children died in the streets.’ Edmund Burke was accused by Mary Wollstonecraft and Tom Paine of putting it on in his lament for Marie Antoinette, but Burke protested that he had wept as he wrote and that the tears had ‘wetted my paper’. In any case, Wollstonecraft herself had been moved to tears when she saw Louis XVI being taken to his ...”

“... simply: ‘They had no children to complicate the relationship.’ In The Mild Murderer (1977), Tom Cullen writes: ‘Belle had not been long married before it became necessary to remove her ovaries … Even if they had adopted a child it might have made a difference, but they appeared set against this course.’ Not ‘they’, surely. Crippen was the one ...”

“... Most of his European friends, by contrast, delighted in his lack of grandeur. ‘Adorable’ was Henry James’s word for him; he was ‘the most approachable, the most practicable, the least unsafe man of genius it has been my fortune to meet. He was so simple, so natural, so modest, so destitute of personal pretension … that one almost doubted at moments ...”

“... of the Spanish Succession. He was outmanoeuvred by his dangerous rival, the Jacobite sympathiser Henry St John, Viscount Bolingbroke, and dismissed from office by Anne on 27 July 1714, five days before her death. On George I’s accession he was imprisoned, and acquitted only in July 1717. Just as Crusoe rescues Friday from cannibals, Harley effectively ...”

“... with a large question of the Will coming in, sometimes alarmingly, and particularly interesting to Henry James. In The Bostonians he put this exchange between Olive Chancellor, the intense young spinster, and Verena Tarrant, the easy-going, delightfully Mozartian creature who can be so fervently eloquent at feminist meetings, and who will eventually be carried ...”

“... reflections of America’s legal and religious culture. Hilton Als’s recent essays, The Women, Henry Louis Gates’s Colored People, the reportage of Keith Richburg in Out of America: A Black Man Confronts Africa square up to the way in which the black individual is the perceived representative of his race, and of ‘being black’; the writers fight ...”

“... of proper Scotland than could ever be accomplished by laws, statesmen or associations,’ wrote Henry Cockburn. After Scott’s death, the most significant literary figure in Edinburgh was not a Scotsman, but the reclusive Thomas de Quincey. Mr Royle treats him to a passing tip of the hat while he evokes the great magazines – as a friend of ‘Christopher ...”

“... to the writing-school circuit as a teacher and collected numerous National Magazine and O. Henry Awards. Each story in his second collection, Pastoralia (2000), was first published in the New Yorker. Saunders’s employment history is worth sketching out because his vision of America and the American workplace could easily be mistaken for something ...”

“... education, did boys enter a more markedly masculine sphere – an experience finely dramatised in Tom Brown’s Schooldays. The growing boy is removed from the inadequate female guidance of mother, sisters and nursery-maid, and socialised in the exclusively masculine institution of a public school. Girls, by contrast, remained where they had always been, in ...”

“... when he does, it’s apt to give way to exasperation. And so John Barrell, reviewing his book on Tom Paine (LRB, 30 November 2006): Rights of Man (not The Rights of Man, as Hitchens persistently calls it) was written as an answer to Burke’s Reflections on the Revolution in France, and Hitchens tells us that among others who wrote replies to Burke … was ...”

“... read quite like that. On the day after Thorpe’s death on 4 December 2014, the BBC journalist Tom Mangold presented a half-hour radio documentary about the other side of Thorpe’s life, his affair with a stable groom called Norman Scott in the early 1960s, when homosexuality was still illegal, which eventually led Thorpe to the dock of the Old ...”

“... scar. How can the celebrity outsider maintain a sense of his identity, or painterly authority, when he is his own subject-matter and his audience sees that subject-matter as ‘other’, less than ‘us’? Basquiat’s solutions to this dilemma are often brilliant. In the triptych Zydeco (1984), for example, a cinematographer in profile looks through the lens of his movie camera ...”

“... at the time. The notion of eavesdropping keeps coming up in Powell’s work until with Peeping Tom it virtually ended his career. Other oddities in AMOLAD are the naked goatherd playing the flute, an unlikely sight on the Norfolk sands, I would have thought, even in 1945, and a man with wild red hair (looking like Léonide Massine in The Red Shoes) who ...”

“... have a restored print of The Big Sleep, half an hour longer than the original; and, most recently, Tom Hiney’s Raymond Chandler, billed as the first ‘authorised’ biography in twenty years. Chandler would be amused by his power to authorise a biography from beyond the grave, but probably not so amused by the promise of ‘new material’ about the private ...”