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“... ideology’ existing in some significant relation to the social and political mood of the time. Robert Conquest’s anthology came out in 1956, the year of Suez, so the ‘ideology’ must have been formed during the administrations of Churchill and Eden. The first Attlee Government carried out the programme enthusiastically endorsed by the troops in ...”

“... to earn the right to the luxury of practising his art’. Heaney represents in similar fashion Robert Lowell’s year in prison as a conscientious objector during the Second World War. Lowell was ‘earning his poetic rights by service in the unpoetic world of jail’. Elsewhere, Heaney asks: ‘What right has ...”

“... here, for the peculiarity of ‘Tu ti spezzasti’ is in its expressive abandonment of precision. Robert Lowell’s notion, in Imitations, of endeavouring above all to catch ‘the tone’ or, failing that, at least ‘a tone’ seems a better guide. The waywardnesses which are wholly wrong in some of Lowell’s other ...”

“... Delmore Schwartz, Truman Capote (on Kerouac: ‘that’s not writing, that’s type-writing’), Robert Brustein and James Dickey (‘Howl is the skin of Rimbaud’s Une Saison en Enfer thrown over the conventional maunderings of one type of American adolescent, who has discovered that machine civilisation has no interest in his having read Blake’). Riding ...”

“... with these two books; even the names of the poets – Charles Tomlinson, or David Gascoyne, or Robert Conquest, or John Holloway, or Christopher Middleton, or Geoffrey Hill – stood for a world that was fully England. Looking at the list of poets was like having one’s Irish nose pushed up against the polished glass of a posh window in some imaginary Big ...”

“... poems in Parnassus, Emerson’s 1872 anthology of American poets. It took an English journalist, Robert Buchanan in the London Daily News, to publicise the complaints already made by William Rossetti and other English literati: that America was barbarously disdaining its greatest poet. But this rescue operation only made matters worse at home, when the ...”

“... Szakall.Before Auden came on the scene Chester had taken the fancy of a New York financier, Robert King (‘not his real name’). King duly enrolled as a patient with Dr Kallman, and after a little bridgework had broken the ice, invited the dentist to supper at the Astor Roof. There was presumably some routine orthodontic small talk (‘How’s the ...”

“... The​ Soft Machine drummer, Robert Wyatt, his Cockney tenor cracking with fervour, once sang:I’m nearly five foot seven tallI like to smoke and drink and ballI’ve got a yellow suit that’s made by Pamand every day I like an egg and some teabut most of all I like to talk about me.The American poet Wallace Stevens liked his tea – he took to it in connoisseurship and prudence, ‘imported tea’ every afternoon, ‘with some little tea wafers’, partly in order to ease himself off martinis (Elsie, his ‘Pam’, disapproved of his drinking) – but otherwise everything is different ...”

“... the first. The South Bank Show was also reviewed in the Spectator by Richard Ingrams, as follows:[Robert] Redford was followed onto the show by young Martin Amis, a rather scruffy looking man without a tie. I was baffled as to why his new novel should be given about half an hour of publicity when there are so many other things worthy of attention ... Amis ...”