At the Gagosian
Peter Campbell: ‘Crash’, 11 March 2010
“... effect of the pieces at Gagosian is more fanciful and stylish than critical. The gallery – high white rooms, attendants in black – is itself a bit Ballardian, and the works, like old pictures of St Anthony taunted by devils and caressed by sirens, offer the eye lubricious, melancholy or violent bait that you can take without finding when you do that you ... ”