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“... two decades could be summed up in a single title, it would surely be ‘Lost in the Funhouse’. John Barth’s short story, published in the Atlantic Monthly in 1967, was a composite text in which an account of a family’s visit to a fairground was spliced in with what appeared to be a set of instructions from a fiction-writer’s manual. The funhouse (in ...”

“... that by all means in this country,’ Alderman Roberts of Grantham was moved to remark in 1946. As John Davis concluded in the Cambridge Urban History of Britain (2000), the second half of the 20th century saw local authorities reduced to ‘agents of the central welfare state, their incapacity off-set by central subsidies which covered over 60 per cent of ...”

“... The same goes for those smaller houses where life continues: Lytes Cary, Markenfield, Old Soar Hall. The life lived in them now is nothing like that of their builders. It may be thought I protest too much. Given the handsomeness of the book and the comprehensiveness of the text, protest may appear churlish if not downright unfair. My quarrel is with the ...”

“... emerged after everyone, Linder included, went to see the Sex Pistols at the Lesser Free Trade Hall in June 1976. Her early designs for friends’ record sleeves featured floating Expressionist heads (Real Life by Magazine) and photomontages inspired by Dada and Surrealism (the Buzzcocks’ ‘Orgasm Addict’). When she formed her own group, her persona ...”

“... In 1738 John Rocque, a Frenchman, began his survey of London. His map (engraved by John Pine) covers an area from Marylebone and Chelsea in the west to Stepney and Deptford in the east. It was finally published in 1747. Pasted together, its 24 sheets measure 13 x 6 ½ feet – that is how it is shown in the exhibition London 1753 at the British Museum until 23 November ...”

“... in an antique shop before going round the much larger antique centre in Philip Webb’s parish hall. 6 January. Papers full of Charles Kennedy being, or having been, an alcoholic. I’d have thought Churchill came close and Asquith, too, and when it comes to politics it’s hardly a disabling disease. Except to the press. But less perilous, I would have ...”

“... that Mary was ‘a beauty’ with many young men to choose among. That the one she decided on, John Moore, was known only for his sense of humour and love of the theatre is puzzling at first – she has seemed so earnest – but it turns out that performance was something she too enjoyed. Pretending to be someone or something else, preferably a small ...”

“... When John Major ascended to 10 Downing Street, the wits were at first unsure quite how to set about him. There was the obvious, the elementary ‘grey’ approach: the Burton suits, the haircut, the delicious fry-ups and so on. On this reading, Major could be presented as a drearier-than-either cross between James Stewart and J ...”

“... reggae music, multi-media happenings, what have you. But bless me, it seems I was wrong. For if John Gross isn’t duplicating for a later generation what the Earl of Birkenhead did for mine, I don’t know what he and the marketing managers at Oxford University Press think they are doing. What readers can they think they are catering for, if not such ...”

“... A Sense of Freedom from the paid confessions of other latterday Newgate heroes like Alfie Hinds or John McVicar is the intensely narcissistic attention Boyle turns on his early days in the Gorbals. Whereas McVicar perfunctorily stereotypes himself as the grammar-school boy perverted by his ‘milieu’ (fellow-con Charles Richardson’s Open ...”

“... Sir Charles Worgan, a press baron, becomes the patron of a progressive theatre-manager, Holt St John. (Worgan also rather superbly patronises Oxford University, and receives an honorary doctorate for his efforts.) But Worgan soon falls out with St John, since he insists that art is an investment and that the theatre, like ...”

“... obscene’. So it is a comfort to find all these cruelties belied in the portrait of Moore by John Butler Yeats, reproduced in Gray’s book. There sits a harmless, walrus-moustached gentleman of 53, a little melancholy in expression, but by no means satyr-like, fresh-from-the-womb or squiffy. The year of the portrait was 1905, when Moore, surprisingly ...”

“... By June, the hunt for sorcerers had gained force. It was led by two formerly church-avoiding men, John and Marcus. Bratrud was present when some children told the men about their visions: Ralph tapped me on the shoulder and I bent down to hear him say: ‘I see two swords surrounding us in this place. The swords of God’s angels. Nothing can touch ...”

“... permission to use the runnels and platforms for The Vertical Line, a performance piece devised by John Berger. In Ways of Seeing, Berger presented on television for the first time an ideological analysis of art and aesthetics. One of the programmes juxtaposed pin-ups and centrefolds with Titians, in a powerful early assault on advertising. Thirty years ...”

“... sleepy American suburbs, writing divorce scenes symbolised by the very slow washing of dishes. Had John Updike been African, he would have won the Nobel Prize twenty years ago. I feel sure that his material hobbled him. Shillington, Pennsylvania simply did not measure up to his extravagant gifts. The absolute distinction made here between a writer and the ...”