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“... It’s most likely that I first came across the idea of Humphrey Bogart not in a Bogart movie, but in A bout de souffle. Not in 1960, when it came out – I was more likely to have seen Spartacus then – but three or four years later, when the Godard movie was shown again (and again) at the Academy cinema on Oxford Street, the Hampstead Everyman or the NFT, while I was hoovering up the backlist of the Nouvelle Vague ...”

“... addressee in this collection, gets five thousand words. Yet Cobb, who died in 1996, was not only a historian of acknowledged genius. As these letters incidentally but consistently demonstrate, he was also a maverick member of the wider cultural world. He chaired the Booker judges ...”

“... Wall Street: ‘We are the 99 per cent.’ Joseph Stiglitz thinks it might be him, on the back of an article he wrote for Vanity Fair in 2011 entitled: ‘Of the 1 per cent, by the 1 per cent, for the 1 per cent.’ Others think it was the economist Emmanuel Saez, who helped popularise the idea that 99 per cent of American households have been watching their ...”

“... As peripatetic​ as he was, Fred Sparks, who was then a foreign correspondent for the Chicago Daily News, didn’t cover the Arab-Israeli War in 1948. He was too busy reporting on the civil war in Greece. But on repeated trips over the next decade to what reporters and cartographers still called the Levant, one thing Sparks always came back to was the plight of the Palestinian refugees ...”

“... In 1969, while he was serving a prison sentence for unlawful assembly, Ian Paisley sent this message to his congregation: I rejoice with you in the rich blessings of last weekend. I knew that our faithful God would pour out His bounty. In prayer in this cell I touched the Eternal Throne and had the gracious assurance of answered prayer ...”

“... to make money from evening entertainments. They’re plundered and castrated; so they survive ... A rigid cult would be dangerous, like the ceremonial which forbade Byzantine courtiers to touch the persons of the nobility, so that when the latter fell in noble intoxication into a pond they got no help. So ...”

“... memories of the paper in her day are accompanied by extracts from some of the pieces published at the time. On the morning Margaret Thatcher’s death was announced, the lesser lights of television who were minding the shop did her proud. A river of bittersweet hyperbole flowed by, ...”

“... According to E.P. Thompson, The Pilgrim’s Progress and The Rights of Man are the two ‘foundation texts’ of the English working-class movement. It is above all in John Bunyan, he argues, that we find ‘the slumbering Radicalism’ which was preserved through the 18th century, and broke out again and again in the 19th ...”

“... Wordsworth​ was the first poet I fell in love with as a teenager. My English teacher (who preferred Pope and Henry James) mocked me for my taste, reminding me of Shelley’s description of Wordsworth in ‘Peter Bell the Third’ as ‘a solemn and unsexual man ...”

“... been raining​ and the scent of jasmine hung over Moray Place. Most of the windows were dark and a notion of privacy seemed embedded in the stone. It must have been close to half past ten, because there was a sudden burst of fireworks over Edinburgh Castle – a nightly feast in August ...”

“... For a time, early last year, there was no trace of Robespierre to be found on the street where he lived in the days of his fame. The restaurant called Le Robespierre had closed its doors, and after a while its portrait sign was removed from above the entrance of the house on the rue Saint-Honoré ...”

“... fifty years after her death, those who are interested in her are very much interested. There are at least two collections of her papers which nobody is given permission to see – not quite with the feeling that she ought to be left to rest in peace, but, rather, that she shouldn’t be shared indiscriminately with outsiders. She was ...”

“... Untold Story of the Krays’ Reign of Terror, admits that Ronnie Kray did shock him. Just once. An unforgettable occasion. A motor eased alongside Tony at the corner of Blythe Street, Bethnal Green. Ron and Reg were inside, keeping company with a ...”

“... Act Three, Scene Three of Julius Caesar ends with the murder of a poet. It begins with a stage direction: Enter Cinna the poet, and after him the Plebeians. This direction creates two oppositions. The poet is opposed to the plebeians. And ‘Cinna the poet’ is opposed to ‘Cinna the conspirator’, a character with the same name but a different vocation ...”