“... Anyone presuming to review works of modern literary theory must expect to be depressed by an encounter with large quantities of deformed prose. The great ones began it, and aspiring theorists usually carry their heads grotesquely to one side in emulation of these models ...”

“... of Jacques Tourneur’s Cat People, admired Penman’s review so much that he invited him over to Los Angeles to talk product. Penman in California was truly the vision of a man who fell to earth, a pale alien in an X Files landscape. Wasn’t that ...”

“... the museum after its redesign by the Japanese architect Yoshio Taniguchi. In the New Yorker John Updike likened its presence to ‘an invisible cathedral’, but it is closer to an abstract palace. The main access is now nearer Sixth than Fifth Avenue, and you enter from either 53rd ...”

“... knew Rochester rather better than we or any other of the commentators on his life may be said to have done. In the months that followed his death she was to see her uncle become vastly famous, not as Marvell’s ‘best satirist and in the right vein’ or Shaftesbury’s ‘worthy’, but as a rake of the most ...”

“... Cubism, less about Iberian sculpture, and nothing at all about the title’s supposed reference to a brothel in Barcelona; I am not sure I even knew what a brothel was. All I knew was that this was a great masterpiece by the greatest artist of our time, and I responded with appropriate awe and admiration. I had grown up with a tastefully framed reproduction ...”

“... When policemen first started to look ridiculously young, I can’t say it bothered me (besides, it’s good for them to be younger – fitter, keener, less cynical). I found the problem came when airlines began employing pilots whose voices hadn’t yet broken ...”

“... the rather few people nowadays who still believe that modernism was something that really happened to or in our poetry, something of which the energies are not yet spent, three names are commonly brought up to show that the modernist impetus survived in the generation after Pound: David Jones, Anglo-Welshman; Basil ...”

“... It is difficult not to admire Roy Strong, though there are moments in this account of his first 32 years where he seems to be doing all he can to make it easier. Born in 1935, he became in 1967 the youngest ever director of the National Portrait Gallery ...”

“... First World War, the movie baron Samuel Goldwyn set up a stable of Eminent Authors in an attempt to give silent screenplays more literary weight. One of the recruits was the Nobel Prize-winning Belgian writer Maurice Maeterlinck. Initially, neither party seems to have been troubled that Maeterlinck spoke no English, and ...”

“... Born​ to Italian shopkeepers in Edinburgh in 1924, Eduardo Paolozzi was a key member of the Independent Group (IG) of artists, architects, curators and critics formed in London in the early 1950s. He was especially active in the New Brutalist wing of the IG, which also included the artists Nigel Henderson, William Turnbull and Magda Cordell, the architects Peter and Alison Smithson, and the critic Reyner Banham ...”

“... enrich the handOf yonder knight?Servingman: I know not, sir.Romeo: O, she doth teach the torches to burn bright!It seems she hangs upon the cheek of nightLike a rich jewel in an Ethiope’s ear –Beauty too rich for use, for earth too dear.Romeo and Juliet, I.v.How should​ present-day readers and theatre-goers respond when Romeo, enjoying his first ...”

“... It was first used in the 1970s by American theologians who sought a post-liberal alternative to forms of Protestantism that had made too many compromises with the modern world. More than a decade later John Gray, disillusioned with Thatcherism, proposed post-liberalism as a new path; more important, the English ...”

“... in London with a magic piano. It opened in the summer of 1954, a few months before I went up to Oxford, and featured a jolly song supposedly counselling against nostalgia called ‘We Said We’d Never Look Back’, any three bars of which bring back memories of what I most disliked about those times. Now it is back in the West End, and its revival ...”

“... but he that establisheth a free and lasting form, for the people’s constant security, is most to be commended.”’ Nedham’s apologetic tone reflects Machiavelli’s already hoary demonisation. Along with his other works, The Prince and the Discourses had figured almost a century earlier on the first Index Librorum Prohibitorum, issued in the ...”

“... Thanks to​ my older brother, I was an Observer reader as a schoolboy. On most Sundays in the year or two either side of 1960 he would take the bus six miles to our nearest town and return with a paper that augmented the Sunday Post – delivered to the door that morning by the village newsagent – and its claustrophobic worldview formed fifty years before in Presbyterian Dundee ...”