“... the fact that God says yes to sexuality, and so abandon ourselves to Total Loving and shuddering self-realisation in the ‘Big O’, we are in fact being taken for a ride, and riding each other, in talk. To start with, somewhere in the 18th century, this talk was straightforwardly scientific. The sexual was defined and cognitively confined into a specialism ...”

“... open but real German, moving between Nuremberg and Europe. A third is the Dürer of the exhaustive self-documentation, letters, diaries, books and odd notes, as well as stunning self-portraits at most ages. But there is also something mythic about the man, in that he seems to play a Shakespeareanly fraught role, a role ...”

“... what d’ya mean? We’re not Irish – we’re British.’ They laughed at each other, but rather self-consciously. It was obvious they were discomfited, unsettled, and they flung themselves with increased vigour into another round of furious and distracting activity. This fascinating story follows a subtle and intelligent discussion of Loyalist ...”

“... of England’ series. Certainly it looks well with the other volumes already on the shelf: less self-referential than the work of Elton and Gash, broader in scope than Speck, more cogent than J.R. Jones, the book consummates a lifetime’s labour in the field of late Georgian British history. Christie’s approach is of a piece with the series as a ...”

“... his extreme credulity. Even Blake was sceptical of his fervent devotion to Richard Brothers, the self-appointed Prince of the Hebrews and Nephew of the Almighty, and to Joanna Southcott, the putative mother of the Messiah. None of this affected Sharp’s career, nor his ability to turn out masterly reproductive engravings of the best masters of his ...”

“... progress is unlikely in principle to be both a clear and an uncontentious category of social self-understanding. Since it is such a global category and since what it aims to render more intelligible is the situation of societies in time, its significance is also always as much a matter of sentiment as it is simply one of causal understanding. To write ...”

“... consciousness or deliberation. Man can only re-attain this grace by completing his knowledge of self and world, thus returning to Eden by the back door. Judith, Nicholas Mosley’s latest novel, takes Kleist’s essay, with its switchback logic that equates god with puppet, as one of its main sources of meaning. Part of the book is set in an ashram in India ...”

“... works of Tennyson, Arnold and George Eliot as they came out. And his concern was unashamedly, even self-consciously to see everything in the context of the age. Thus, though claims cannot be made for the universality of his interests, it is by no means ridiculous to urge that those who wish to become thoroughly inward with the best that was thought and said in ...”

“... new ‘germ-conscious generation’, fleeing from their fathers with the help of bicycles, eagerly self-improving, anxiously attempting to improve others. But stronger than this is Flora Thompson’s own sense of separation from what she is viewing. Her position as post-office assistant is similar to that of the governess in a Victorian novel: sober and ...”

“... between fables, exempla, fairy-tales, jocular tales, nouvelles and nursery tales. Intolerant of self-indulgence (she doesn’t believe in fairies) and Peter Pannery, Dr Briggs investigates folklore in Shakespeare as a musicologist would examine folk-song in Vaughan Williams. She is not concerned to tell children stories, but in Abbey Lubbers, Banshees and ...”

“... never understand her horror of falsity. How does a biographer, accustomed to delve for a buried self, relate to a person who presents herself directly, without a mask? First and Scott record the events and emotions of Schreiner’s life with minute fidelity, but the living, brilliant-eyed woman escapes yet another attempt to pin her down. Her openness ...”

“... of Dutch art. In her book (and on its dust-jacket) there is a good colour illustration of a self-portrait and still-life painted by David Bailly of Leiden in 1651. A young artist (is it too ingenious to suggest that it represents Bailly himself as a young man?) holds Bailly’s portrait on a table where a wide variety of other works of art appear ...”

“... of structure which sometimes becomes merely lax. It may seem unfair to remark that there are self-indulgent passages of this kind in ‘Monday June 26th 1916’, since Strachey’s declared purpose there was to record the events of a single day, abjuring ‘selected realisms’ in the hope of capturing ‘its minuteness and its multiplicity and its ...”

“... a saint or cynic ever was    The theme of praise: a hermit would not miss Canonisation for the self-same cause,    And wherefore blame gaunt Wealth’s austerities? Because, you’ll say, nought calls for such a trial; Then there’s more merit in his self-denial. He is your only poet ... Perhaps. But during the ...”

“... Piers, whose identity exists to stage and shape that of others, finds his freedom from self in the dramatic energy of Vanbrugh, and so has the name nicked down to ‘Van’. The great house is sparsely populated by their great-grandfather, by his daughter-in-law (their grandmother), and by their pompous circumstantial uncle. Their widowed ...”