“... threatens to live a shadow life as a gerund. Ammons’s early work is sometimes enervated by a self-watchfulness that borders on mannerism; his desire for a life ‘chilled in the attitude of song’ can lead to a sort of pinched imperviousness. When starting out, he proudly explained to an editor that ‘this slight indifference, unwillingness to be ...”

“... it himself? He retires from the force but lives on in San Francisco in what may be masochism or self-loathing. As Hitchcock depicts it, San Francisco is a steep, perilous place – and a character in the film. If the city is not the best place for him, does Scottie’s vertigo speak to a deeper uneasiness? Scottie is played by James Stewart (which would ...”

“... plastic individual truth immerged in beauty: whereas the scrap of science is for the time being a self-contained announcement of what is an ascertained fact – universally provable by those intelligent enough to comprehend it. You can’t prove a poem; it proves you.Although an early sonnet called ‘The Happy Encounter’ depicts Science as a ...”

“... about solipsism in Tolstoy’s world, ‘the simpleness and naturalness of the great open world of self-conceit which Tolstoy knew so well, the world of War and Peace in which solipsism is in reasonable accord with mutuality’. It is War and Peace, with its epic naturalness and its indebtedness to Pushkinian ‘lightness’ that clearly absorbs Bayley, much ...”

“... but the question of intention must be a false one. Under the microscope, the question of ‘self’ is so diffuse and so complicated that it might as well not arise. This is all unlucky talk. I am pregnant for the first time, the bump just beginning to show. I don’t know what my pregnant self is, either. The ...”

“... and rhythm: ‘The end of choice, the last of hope’, an effect so Larkinesque as to border on self-parody. Poetic metaphor flickers back into life … In stanzas six and seven metaphor stands on its head as the ‘real’, dull ordinary world takes on the glowing inaccessibility of a Grecian urn or mythical Byzantium: ‘Red brick, lagged pipes, and ...”

“... and physical sciences doesn’t mention him at all. Other books, more than a few of them self-published, link him with secret plots involving free energy, anti-gravity propulsion, the supposed technologies of the pharaohs, mind control and time travel. His most fruitful years coincided with the discovery of X-rays, radioactivity and the electron, and ...”

“... inheritor of the oldest continuous history in the world, whose underlying cultural unity and self-confidence are without equal. Long before the West, its rulers created the first modern bureaucracy, imbued with a Confucian outlook at once authoritarian and democratic, controlling domestic subjects more by moral education than force, and organising ...”

“... some days before the Fourth Plenum, when he responded to the charges against him with 11 points of self-defence, key among them that the students’ demands had not posed a threat to Party rule and that the crisis could have been settled peacefully if the other leaders had accepted his advice to withdraw the label ‘turmoil’ (i.e. riot) used in the 26 April ...”

“... operations aimed at ‘winning hearts and minds’ – as if these phrases were not shrouded in self-parody, as if the strategy they describe had not ended in catastrophe. Public memory is short. Outside policy circles, one might hope to find a richer repository of inconvenient truths. Yet here too the results are disappointing. A few novelists have made ...”

“... they are beyond the design flaws of humanity’, although the profits of the pharmaceutical or self-help industries might suggest otherwise. In Paris (where I live) he sees cartoon figures: ‘the men in salmon-coloured pants and white linen and bright sweaters tied around their necks, the men who disappeared around corners and circled back in luxury ...”

“... which is never complete and in which the Western I is involved in a continuous discovery of the Self in the Other. As a concrete example of this, Piault points to the work of Jean Rouch, his own mentor. For many, the octogenarian Rouch is the most accomplished ethnographic film-maker of his generation. He is certainly among the most prolific, having made ...”

“... Ian Campbell Ross’s new biography provides an introductory cameo of Sterne’s triumph of self-marketing. He made himself available to his admirers, the measure and embodiment of his fictional imagination. After a week he was writing home to say he was ‘engaged allready to ten Noble men & men of fashion to dine’. He loved performing in the drawing ...”

“... and now in Trier on von Trier. Discussing each of his films in turn, he emerges as a self-mocking and contradictory man of undisguised ambition, oscillating between shyness and exhibitionism. Most revealing is his antipathy to contemporary cinema. ‘There’s certainly something lacking in films today,’ he says. ‘A lot of what’s made is ...”

“... bears an uncanny resemblance to the narrator – becomes obsessed with the mysteries of European self-fashioning. Over the course of several years, he and the narrator study one another, gazing into mirrors and writing answers to the question ‘Why am I what I am?’ Hoja decides that the Franks’ successes derive from their greater capacity for ...”