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Do It and Die

Richard Horton, 20 April 1995

Soundings 
by Abraham Verghese.
Phoenix, 347 pp., £18.99, May 1994, 1 897580 26 6
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... Johnson City (the location for Verghese’s story), the percentage of the population who are non-white is listed to reassure prospective visitors (7.2 per cent, for the record). Tourism trades happily on this humiliating past. Henning, the birthplace of Alex Haley; the Lorraine Motel, Memphis, where Martin Luther King was assassinated on 3 April ...

Fear and Loathing in Limehouse

Richard Holme, 3 September 1987

Campaign! The Selling of the Prime Minister 
by Rodney Tyler.
Grafton, 251 pp., £6.95, July 1987, 0 246 13277 9
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Battle for Power 
by Des Wilson.
Sphere, 326 pp., £4.99, July 1987, 0 7221 9074 3
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David Owen: Personally Speaking 
by Kenneth Harris.
Weidenfeld, 248 pp., £12.95, September 1987, 0 297 79206 7
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... The Conservative share in the polls in 1987 on the day Tim Bell rode into Downing Street on a white charger was 44 per cent. One week later, after the expenditure of all the serious money on advertising, their share of votes came out at ... 43 per cent. It wasn’t the media in 1987 which gave Mrs Thatcher her third historic victory. It was her megaphone ...

What! Not you too?

Richard Taws: I was Poil de carotte, 4 August 2022

Journal 1887-1910 
by Jules Renard, translated by Theo Cuffe.
Riverrun, 381 pp., £20, October 2020, 978 1 78747 559 5
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... his preference was for the humbler creatures that inhabited the scrappy fields around Chitry (‘white cattle, as immobile as the linen spread out on the hedges to dry’), in Paris he made trips to the zoo or the Jardin des Plantes, finding ‘red-headed parrots, creaking like rusty chains’, ‘a black swan with red bill, like an alcoholic priest’ and ...

The Immortal Coil

Richard Barnett: Faraday’s Letters, 21 March 2013

The Correspondence of Michael Faraday Vol. VI, 1860-67 
by Frank James.
IET, 919 pp., £85, December 2011, 978 0 86341 957 7
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... embedded. He worries over the preparation of Friday Evening Discourses for the RI. He analyses white lead paint for Trinity House, the Tudor corporation that maintained Britain’s necklace of lighthouses. During the Crimean War, he advises the Admiralty on the feasibility of an attack on the Baltic port of Cronstadt, using ships filled with four hundred ...

Prophet in a Tuxedo

Richard J. Evans: Walter Rathenau, 22 November 2012

Walther Rathenau: Weimar’s Fallen Statesman 
by Shulamit Volkov.
Yale, 240 pp., £18.99, April 2012, 978 0 300 14431 4
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... benefits the war might bring for Germany: ‘On the day that the Kaiser and his paladins on their white chargers ride victorious through the Brandenburg Gate, history will have lost all meaning,’ he wrote. Published in 1919, the aphorism was widely quoted by his enemies as evidence of his defeatism. Yet, when his influence within AEG increased after his ...

Diary

Richard Gott: Paraguayan Power, 21 February 2008

... went to meet Lugo at his headquarters in the northern suburbs of Asunción. With greying hair and white beard, he has an authoritative air. His advisers say they have had to persuade him to leave out the traditional episcopal blessing at the end of his speeches, and his manner is certainly benign and avuncular. With a huge throaty laugh, he asks me if I want ...

Men He Could Trust

Richard J. Evans: Hitler’s Stormtroopers, 22 February 2018

Stormtroopers: A New History of Hitler’s Brownshirts 
by Daniel Siemens.
Yale, 459 pp., £25, October 2017, 978 0 300 19681 8
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... and brutality to evidence of defeatism and dissent in many areas, executing anybody found waving a white flag at the approaching Allied forces, shooting Jewish and other slave labourers, killing stragglers in the notorious ‘death marches’ of prisoners evacuated from the camps that lay in the path of the Soviet invaders, and hunting down deserters. In one ...

At the National Gallery

Naomi Grant: Gainsborough’s ‘Blue Boy’, 12 May 2022

... interest in the English pastoral. Delacroix visited England in 1825, meeting both Lawrence and Richard Parkes Bonington; the trip inspired his outdoor portrait of Louis-Auguste Schwiter, which Degas later bought for his private collection. Degas’s own instincts as a painter throw the difficulties of the genre into relief. The ‘fancy picture’, as it ...

Germs: A Memoir

Richard Wollheim, 15 April 2004

... one had been writing in pencil in a large notebook, and now they had gathered, with bottles of white wine standing on the grass between them, and they were settling down to discuss a member of the family whose arrival had been delayed. Was he a contented person, or a discontented person? Did he really belong to the town, or to the country? Would he have ...

I’m Getting Out of Here

Leo Robson: Percival Everett, 3 November 2022

Percival Everett by Virgil Russell 
by Percival Everett.
Influx, 271 pp., £9.99, September 2021, 978 1 910312 99 5
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Erasure 
by Percival Everett.
Faber, 294 pp., £8.99, August 2021, 978 0 571 37089 4
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The Trees 
by Percival Everett.
Influx, 334 pp., £9.99, March 2022, 978 1 914391 17 0
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... that came after Frenzy, the narrator asks the reader, ‘Have you to this point assumed that I am white?’, since convention dictates that a black character is ‘required to comb his Afro hairdo, speak on the street using an obvious, ethnically identifiable idiom, live in a certain part of a town, or be called a nigger by someone’. And as Brandon Taylor ...

No Light on in the House

August Kleinzahler: Richard Brautigan Revisited, 14 December 2000

An Unfortunate Woman 
by Richard Brautigan.
Rebel Inc, 110 pp., £12, July 2000, 1 84195 023 8
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Revenge of the Lawn: Stories 1962-70 
by Richard Brautigan.
Rebel Inc, 146 pp., £6.99, June 2000, 1 84195 027 0
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You Can't Catch Death 
by Ianthe Brautigan.
Rebel Inc, 209 pp., £14.99, July 2000, 1 84195 025 4
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... number of artists and writers have made Bolinas their home, or one of their homes. One of them was Richard Brautigan. When I gave a reading 16 years ago at the Bolinas Public Library, a couple of Brautigan’s old friends from his North Beach days in the 1960s told me that he had recently turned up in town. I remember hoping that he might come to the reading ...

Mushrooms

Michael Dobson: How to Be a Favourite, 5 October 2006

Literature and Favouritism in Early Modern England 
by Curtis Perry.
Cambridge, 328 pp., £50, February 2006, 0 521 85405 9
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... a self-disciplined and abstemious diner with an enthusiasm, years ahead of his time, for light white wines and salad. (His headquarters in Utrecht now house a passable restaurant.) This influential tract, which remained in circulation as late as the mid-17th century owing to its perceived application to the doings of subsequent favourites (as Perry’s ...

Old Gravy

Mark Ford, 7 September 1995

Robert Graves: Life on the Edge 
by Miranda Seymour.
Doubleday, 524 pp., £20, July 1995, 0 385 40423 9
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Robert Graves and the White Goddess 
by Richard Perceval Graves.
Weidenfeld, 618 pp., £25, July 1995, 0 297 81534 2
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Robert Graves: His Life and Work 
by Martin Seymour-Smith.
Bloomsbury, 600 pp., £25, June 1995, 0 7475 2205 7
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Robert Graves: Collected Writings on Poetry 
edited by Paul O’Prey.
Carcanet, 560 pp., £35, June 1995, 1 85754 172 3
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Robert Graves: The Centenary Selected Poems 
edited by Patrick Quinn.
Carcanet, 160 pp., £15.95, April 1995, 9781857541267
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... which has sometimes won me the reputation of an eccentric,’ Graves writes at the start of The White Goddess (1948), his synoptic account of the history of Western myth. His eccentricity took many forms, as many as the mercurial goddess herself, yet Graves seems never to have doubted the central narrative to which his life and work were dedicated: There ...

At the Royal Academy

Peter Campbell: Degas, 6 October 2011

... outlines, to an extreme position that is the essence of the dance step. Much of the catalogue by Richard Kendall (who also produced an excellent catalogue for the 1996 exhibition Degas: Beyond Impressionism) and Jill DeVonyar is about making images of things that happened too fast to be recorded by the most attentive eye or quickest hand. But the exhibition ...

At the Gagosian

Peter Campbell: ‘Crash’, 11 March 2010

... effect of the pieces at Gagosian is more fanciful and stylish than critical. The gallery – high white rooms, attendants in black – is itself a bit Ballardian, and the works, like old pictures of St Anthony taunted by devils and caressed by sirens, offer the eye lubricious, melancholy or violent bait that you can take without finding when you do that you ...

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